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Paul Gavarni - Est-ce que c’est vrai, Mosieu d’Alby, que tu couperas des liards en quatre. sapristi comment donc que tu peux fair

Est-ce que c’est vrai, Mosieu d’Alby, que tu couperas des liards en quatre. sapristi comment donc que tu peux fair (1838-1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

C’est mon débardeur

C’est mon débardeur (1840)

Paul Gavarni (French, 1804-1866)
N’est-ce pas, ma mère, que c’est bien vilain de dire vous m’embêtez Eh bien, ma bonne a dit tout à l’heure à mon

N’est-ce pas, ma mère, que c’est bien vilain de dire vous m’embêtez Eh bien, ma bonne a dit tout à l’heure à mon (1838-1840)

Paul Gavarni (French, 1804-1866)
Pauvre Elvire, emportée aux flots du bal Musard, Où tu cherchais Don Juan, tu trouves Chicandard

Pauvre Elvire, emportée aux flots du bal Musard, Où tu cherchais Don Juan, tu trouves Chicandard (1840)

Paul Gavarni (French, 1804-1866)
V’là un gueux de petit pékin qui se divertit au bal

V’là un gueux de petit pékin qui se divertit au bal (1840)

Paul Gavarni (French, 1804-1866)
Moi, j’ai été mariée à Saint-Leu

Moi, j’ai été mariée à Saint-Leu (circa 1861-1862)

Paul Gavarni (French, 1804-1866)
Le v’là. ote ton chapeau

Le v’là. ote ton chapeau (1840)

Paul Gavarni (French, 1804-1866)
Qu’est ce que c’est donc que ce bacchanal-là

Qu’est ce que c’est donc que ce bacchanal-là

Paul Gavarni (French, 1804-1866)
N’est-ce pas, Mosieu Prud’homme, qu’il ne faut pas mettre un H à omelette. là vois-tu M’man

N’est-ce pas, Mosieu Prud’homme, qu’il ne faut pas mettre un H à omelette. là vois-tu M’man (1838-1840)

Paul Gavarni (French, 1804-1866)
M’ame Perpignan. M’ame Perpignan. deux donzames, une bouteille, deux pains, un filet-champignons, une pomme saut

M’ame Perpignan. M’ame Perpignan. deux donzames, une bouteille, deux pains, un filet-champignons, une pomme saut (1839-1841)

Paul Gavarni (French, 1804-1866)
Je le dirai. que t’as encore pris dans le petit pot, du rouge que Maman se met

Je le dirai. que t’as encore pris dans le petit pot, du rouge que Maman se met (1838-1840)

Paul Gavarni (French, 1804-1866)
Ah c’est avec Julia qu’Henry m’a trompée. on sera manche à manche, ma petite

Ah c’est avec Julia qu’Henry m’a trompée. on sera manche à manche, ma petite (1840)

Paul Gavarni (French, 1804-1866)
-. une douzaine d’huîtres et mon coeur. – Ta parole

-. une douzaine d’huîtres et mon coeur. – Ta parole (1840)

Paul Gavarni (French, 1804-1866)
Studies of Hands

Studies of Hands

Paul Gavarni (French, 1804-1866)
Mais, voyons si Paul et Henri s’entendent, il faudra que tu choisisses lequel des deux garderas-tu Celui qui me q

Mais, voyons si Paul et Henri s’entendent, il faudra que tu choisisses lequel des deux garderas-tu Celui qui me q (1840)

Paul Gavarni (French, 1804-1866)
Qu’est-ce donc qui l’a inventée la poudre, Monsieur. que papa dit que ce n’est pas vous

Qu’est-ce donc qui l’a inventée la poudre, Monsieur. que papa dit que ce n’est pas vous (1838-1840)

Paul Gavarni (French, 1804-1866)
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