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Robert van Audenaerde - Engel met twee vaandels

Engel met twee vaandels (1673-1743)

Robert van Audenaerde (Flemish, 1663–1748)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1748 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Robert van Audenaerde or Ouden-Aerd was a Flemish painter and engraver.

He was born at Ghent, and was first a scholar of Francis van Mierhop, but he afterwards studied under Hans van Cleef. When he was twenty-two years of age he went to Rome, where he became a disciple of Carlo Maratti. Under this master he became a good painter of historical subjects. He amused himself with the point in his leisure moments, and some of his plates were shown to Carlo Maratti, who recommended him to devote himself entirely to the art of engraving.

He, however, painted several pictures for the churches of his native city, to which he returned after an absence, it is said, of thirty-seven years. He died at Ghent in 1748. His best work is the altar-piece of the high altar in the church of the Carthusians at Ghent, representing 'St. Peter appearing to a group of Monks of that order'. In the church of St. James is a picture by him of 'St. Catharine refusing to worship the False Gods'. Several other works by this master are in the churches and convents of his native city, all of which are painted in the style of Maratti.

More Illustrations in Book: Numismata virorum illustrium ex Barbadica gente (View all 144)

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Personificatie van Plezier of Genoegen

Personificatie van Plezier of Genoegen (1673-1743)

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Portret van Francesco Barbarigo en de personificaties van Afrika, Europa, Amerika en Azië (1673-1743)

Robert van Audenaerde (Flemish, 1663–1748)
Allegorie op de liefde voor Venetië

Allegorie op de liefde voor Venetië (1673-1743)

Robert van Audenaerde (Flemish, 1663–1748)
Portret van Girolamus Barbarigo en de personificaties Roem en Welvaart

Portret van Girolamus Barbarigo en de personificaties Roem en Welvaart (1673-1743)

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Symbolen van de vier evangelisten

Symbolen van de vier evangelisten (1673-1743)

Robert van Audenaerde (Flemish, 1663–1748)
Portret van Agostino Barbarigo en de personificaties van Gelijkheid, Weldadigheid en Onschuld

Portret van Agostino Barbarigo en de personificaties van Gelijkheid, Weldadigheid en Onschuld (1673-1743)

Robert van Audenaerde (Flemish, 1663–1748)
Portret van Agostino Barbarigo en de personificaties van Ware Eer, Voorzichtigheid en Oprechtheid

Portret van Agostino Barbarigo en de personificaties van Ware Eer, Voorzichtigheid en Oprechtheid (1673-1743)

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Personificatie van de Goddelijkheid

Personificatie van de Goddelijkheid (1673-1743)

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Portret van Gregorio Barbarigo en de personificaties van Gebed, Goed Gerucht en Religie-ijver

Portret van Gregorio Barbarigo en de personificaties van Gebed, Goed Gerucht en Religie-ijver (1673-1743)

Robert van Audenaerde (Flemish, 1663–1748)
Doge Agostino Barbarigo knielend voor Christus

Doge Agostino Barbarigo knielend voor Christus (1673-1743)

Robert van Audenaerde (Flemish, 1663–1748)
Personificatie van Volmaaktheid

Personificatie van Volmaaktheid (1673-1743)

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Portret van Daniele Barbarigo met de personificatie van de Kracht van Welsprekendheid

Portret van Daniele Barbarigo met de personificatie van de Kracht van Welsprekendheid (1673-1743)

Robert van Audenaerde (Flemish, 1663–1748)
Portret van Girolamo Barbarigo met de personificaties van Wijsheid en Krijgskunst

Portret van Girolamo Barbarigo met de personificaties van Wijsheid en Krijgskunst (1673-1743)

Robert van Audenaerde (Flemish, 1663–1748)
Portret van Agostino Barbarigo en de personificaties van Kennis, Goedertierenheid en Ervaring

Portret van Agostino Barbarigo en de personificaties van Kennis, Goedertierenheid en Ervaring (1673-1743)

Robert van Audenaerde (Flemish, 1663–1748)
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