Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Drawings
    • Illustration
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
Emilio Caraffa - El Obispo

El Obispo (1888)

Emilio Caraffa (Argentine, 1862–1939)
Facebook Twitter Pinterest
Favourite
Collect

Standard, 1336 x 1800px JPG, Size: 1.71 MB

Download

Max Size, 2502 x 3372px JPG, Size: 4.01 MB

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1939 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life
Emilio Caraffa

Emilio Caraffa was an Argentine painter of the post-impressionist school.

Emilio Caraffa was born in Catamarca, Argentina, in 1862. His family relocated to Rosario, where he attended the local National College (a system of public college preparatory schools), and learned to draw and sketch. He received lessons in painting in Buenos Aires from 1883 to 1884, an experience which earned him a scholarship from the Minister of Justice and Culture, Eduardo Wilde. Caraffa attended art academies in Naples and Rome, as well as in Madrid's Royal Fine Arts Academy of San Fernando, where he studied under Francisco Pradilla and was inducted into the Order of Charles III, in 1887. Returning to Argentina in 1890, Caraffa relocated to Córdoba, where in 1896, he received authorization from the progressive Governor of Córdoba Province, José Figueroa Alcorta, to establish the Provincial Fine Arts Academy. Caraffa was appointed a professor at the Córdoba National University in 1900.

His earlier works were largely landscape art, a popular genre locally, at the time; after 1900, however, his art tended towards post-impressionism - a largely overlooked genre among Argentine art patrons which Caraffa, who enjoyed strong official support, arguably helped popularize in Argentina. Among his best-known early works from this period in his career was Head of a Jewish Man, which he exhibited at the 1904 Louisiana Purchase Exposition in St. Louis, earning a silver medal. Remaining active in the Córdoba cultural sphere, he obtained funding for the province's first official art museum in 1911, and the institution opened in 1916.

Caraffa was commissioned to lead the decoration of the ceilings of the Córdoba Cathedral, a work completed in 1914. Over time, he developed a painting style of a markedly romanticist bent, and created numerous landscapes, portraits and works of historic and religious art for government bureaus and churches. The prolific painter died suddenly in his atelier in the scenic town of La Cumbre, in 1939.

Eleven years after his death, the provincial museum he helped establish was renamed the Emilio Caraffa Provincial Fine Arts Museum. His works, besides those gracing private homes, churches and government offices, can be found in numerous Argentine museums, among them the Juan B. Castagnino Fine Arts Museum (Rosario) and the National Fine Arts Museum (Buenos Aires).

You may also like

Head of a Young Girl Facing Her Left

Head of a Young Girl Facing Her Left (before 1910)

Carl Newman (American, 1858-1932)
Café Singer

Café Singer (1879)

Edgar Degas (French, 1834-1917)
The Artist’s Sister at a Window

The Artist’s Sister at a Window (1869)

Berthe Morisot (French, 1841-1895)
La Maschera

La Maschera (1874)

Gaetano Chierici (Italian, 1838–1920)
Young woman in ball dress with putti

Young woman in ball dress with putti (by 1891)

Charles Chaplin (French, 1825 - 1891)
Melancholy III

Melancholy III (1915–1917)

Edvard Munch (Norwegian, 1863 - 1944)
Platonic Love

Platonic Love (1870)

Eduardo Zamacois y Zabala (Spanish, 1841 - 1871)
The artist’s daughters in the veranda

The artist’s daughters in the veranda (1901)

Fritz von Uhde (German, 1848-1911)
Approaching Storm

Approaching Storm (1864)

Eugène Boudin (French, 1824-1898)
Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray)

Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray) (1757)

François-Hubert Drouais (French, 1727 - 1775)
Nude

Nude (ca. 1927-1928)

Alfred Henry Maurer (American, 1868 – 1932)
Halt of the Hunt

Halt of the Hunt (ca. 1737)

Charles-André van Loo (French, 1705 – 1765)
The Old Gardener

The Old Gardener (1863)

Briton Riviere (English, 1840-1920)
The Standard Bearer

The Standard Bearer

Georges Washington (French, 1827-1901)
Edouard Blau

Edouard Blau (probably 1869)

Frédéric Bazille (French, 1841–1870)

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Drawings
    • Illustration
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro