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Allan Rohan Crite - Douglass Square

Douglass Square (1936)

Allan Rohan Crite (American, 1910 - 2007)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
This work was commissioned by the United States federal government as part of the Works Progress Administration (WPA) program. It is not subject to copyright protection.
Allan Rohan Crite

Allan Rohan Crite was a Boston-based African American artist. He won several honors, such as the 350th Harvard University Anniversary Medal.

Crite was born in North Plainfield, New Jersey, on March 20, 1910. The family relocated to Massachusetts and from the age of one until his death Crite lived in Boston's South End. Crite's mother, Annamae, was a poet who encouraged her son to draw. Showing promise at a young age, he enrolled in the Children's Art Centre at United South End Settlements in Boston and graduated from the English High School in 1929. His father, Oscar William Crite, was a doctor and engineer, one of the first black people to earn an engineering license.

Though he was admitted to the Yale School of Art, he chose to attend the School of the Museum of Fine Arts in Boston and graduated in 1936.

Recognition came early as well. His work was first shown at New York's Museum of Modern Art in 1936.

Crite then attended Harvard Extension School, where he earned a BA degree in 1968.

Crite was among the few African-Americans employed by the Federal Art Project. In 1940, he took a job as an engineering draftsman with the Boston Naval Shipyard; it supported his work as an artist for 30 years. He later worked part time as a librarian at Harvard University's Grossman Library.

In 1986, Boston named the intersection of Columbus Avenue and West Canton Street, steps from his home, Allan Rohan Crite Square.

In 1993, Crite married Jackie Cox-Crite. Together they established the Crite House Museum in their home at 410 Columbus Avenue in Boston's South End.

Suffolk University awarded him an honorary doctorate in 1979.

He died in his sleep of natural causes on September 6, 2007, at age 97.

His widow established the Allan Rohan Crite Research Institute to safeguard his legacy, which Crite never thought important, by authenticating and cataloging his many scattered works.

In Collection: Works Progress Administration (WPA) Art (View all 421)

Flogging (Prelude to the Lynching)

Flogging (Prelude to the Lynching) (1927)

Helen West Heller (American, 1872 – 1955)
The Eviction

The Eviction (1939-1940)

Eldzier Cortor (American, 1916 – 2015)
Coal Yard

Coal Yard (1936)

Norman MacLeish (American, 1890-1975)
Pacific Cable Car, San Francisco

Pacific Cable Car, San Francisco (ca. 1935–43)

Marguerite Redman Dorgeloh (American, 1890–1944)
Dumaine Street, New Orleans

Dumaine Street, New Orleans (1939)

Lawrence Arthur Jones (American, 1910-1996)
Industrial Section

Industrial Section (1936)

Jolan Gross Bettelheim (Hungarian, 1900–1972)
Boy Sitting on Cot

Boy Sitting on Cot (1936)

James Nibbie (American, 20th Century)
Cattle Country

Cattle Country (1940)

Nina Barr Wheeler (American, 1909 – 1978)
Columbia Heights, Brooklyn

Columbia Heights, Brooklyn (1939)

Minetta Good (American, 1895–1946)
Mlle Modiste

Mlle Modiste (ca. 1935-1943)

Howard Taft Lorenz (American, 1906-1956)
Here Lies

Here Lies (1939)

Zama Vanessa Helder (American, 1904 – 1968)
Promised land

Promised land (1935 - 1943)

Nan Lurie (American, 1910–1985)
Scrubwoman

Scrubwoman (1935 - 1943)

Nan Lurie (American, 1910–1985)
Lawrence Arthur Jones

Lawrence Arthur Jones (1939)

Dox Thrash (American, 1893–1965)
Aspects of Negro Life; Song of the Towers

Aspects of Negro Life; Song of the Towers (1934)

Aaron Douglas (American, 1899 – 1979)
View all 421 Artworks

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