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Georg Scholz - Der Metzger

Der Metzger (1923)

Georg Scholz (German, 1890–1945)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1945 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Georg Scholz

Georg Scholz was a German realist painter.

Scholz was born in Wolfenbüttel and had his artistic training at the Karlsruhe Academy, where his teachers included Hans Thoma and Wilhelm Trübner. He later studied in Berlin under Lovis Corinth. After military service in World War I lasting from 1915 to 1918, he resumed painting, working in a style fusing cubist and futurist ideas.

In 1919 Scholz became a member of the Communist Party of Germany, and his work of the next few years is harshly critical of the social and economic order in postwar Germany. His Industrial Farmers of 1920 is an oil painting with collage that depicts a Bible-clutching farmer with money erupting from his forehead, seated next to his monstrous wife who cradles a piglet. Their subhuman son, his head open at the top to show that it is empty, is torturing a frog. Perhaps Scholz' best-known work, it is typical of the paintings he produced in the early 1920s, combining a controlled, crisp execution with corrosive sarcasm.

Scholz quickly became one of the leaders of the New Objectivity, a group of artists who practiced a cynical form of realism. The most famous among this group are Max Beckmann, George Grosz and Otto Dix, and Scholz's work briefly vied with theirs for ferocity of attack. By 1925, however, his approach had softened into something closer to neoclassicism, as seen in the Self-Portrait in front of an Advertising Column of 1926 and the Seated Nude with Plaster Bust of 1927.

In 1925, he was appointed a professor at the Baden State Academy of Art in Karlsruhe, where his students included Rudolf Dischinger. Scholz began contributing in 1926 to the satirical magazine Simplicissimus, and in 1928 he visited Paris where he especially appreciated the work of Bonnard.

With the rise to power of Hitler and the National Socialists in 1933, Scholz was quickly dismissed from his teaching position. Declared a Degenerate Artist, his works were among those seized in 1937 as part of a campaign by the Nazis to "purify" German culture, and he was forbidden to paint in 1939.

In 1945, the French occupation forces appointed Scholz mayor of Waldkirch, but he died that same year, in Waldkirch.

More Artworks by Georg Scholz (View all 16 Artworks)

Weiblicher Akt mit Gipskopf

Weiblicher Akt mit Gipskopf (1927)

Georg Scholz (German, 1890–1945)
Zeitungsträger

Zeitungsträger (1924)

Georg Scholz (German, 1890–1945)
Selbstbildnis

Selbstbildnis (1912)

Georg Scholz (German, 1890–1945)
Nächtliche Straßenszene

Nächtliche Straßenszene (1923)

Georg Scholz (German, 1890–1945)
Grötzingen mit dem Turmberg

Grötzingen mit dem Turmberg (1925)

Georg Scholz (German, 1890–1945)
Nächtlicher Lärm

Nächtlicher Lärm (1919)

Georg Scholz (German, 1890–1945)
Selbstbildnis vor der Litfaßsäule

Selbstbildnis vor der Litfaßsäule (1926)

Georg Scholz (German, 1890–1945)
Blick aus dem Küchenfenster

Blick aus dem Küchenfenster (1926)

Georg Scholz (German, 1890–1945)
Kriegerverein

Kriegerverein (1922)

Georg Scholz (German, 1890–1945)
Die Herren der Welt

Die Herren der Welt (1922)

Georg Scholz (German, 1890–1945)
Weiblicher liegender Akt mit hinter dem Kopf verschränkten Armen

Weiblicher liegender Akt mit hinter dem Kopf verschränkten Armen (1930)

Georg Scholz (German, 1890–1945)
Landschaft bei Berghausen

Landschaft bei Berghausen (1924-1925)

Georg Scholz (German, 1890–1945)
Arbeit schändet

Arbeit schändet (1921)

Georg Scholz (German, 1890–1945)
Porträt Erwin Hildinger

Porträt Erwin Hildinger (Ca. 1928)

Georg Scholz (German, 1890–1945)
German Small Town by Night

German Small Town by Night (1923)

Georg Scholz (German, 1890–1945)
View all 16 Artworks

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