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Konrad Mägi - Daami portree

Daami portree (between 1923 and 1924)

Konrad Mägi (Estonian, 1878 – 1925)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1925 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Konrad Mägi

Konrad Vilhelm Mägi was an Estonian painter, primarily known for his landscape work. He was one of the most colour-sensitive Estonian painters of the first decades of the 20th century, and Mägi's works on motifs of the island of Saaremaa are the first modern Estonian nature paintings.

Mägi received his elementary art education from the drawing courses of the German Artisans' Society of Tartu (1899–1902.) At the same time, he was keenly engaged in theater, violin, and various sports.

Mägi continued his art education as an unattached student in Saint Petersburg (1903–1905), studying under Amandus Adamson. In the autumn of 1907, he went to Paris. There Mägi studied at a free academy. From 1908 to 1910, he lived in Norway. In 1912, Mägi returned to Tartu, where he worked as an art teacher.

In Åland, he created delicate plant vignettes in the style of Art Nouveau: Kahekesi (Two together; 1908; China ink drawing). In Paris, Mägi was influenced by Impressionism and Fauvism, which had a significant impact on his colours: Lilleline väli majakesega (A flower field with a little house; 1908–1909), Norra maastik männiga (A Norwegian landscape with a pine; 1910).

From 1918, the influence of Expressionism is manifest, fostered by Mägi's extreme sensitivity and emotional response to the anxious times: Pühajärv (Lake Püha); (1918–1920), Otepää maastik (Landscape of Otepää); (1918–1920). Also influenced by Expressionism are his big figure compositions Pietà (1919), Kolgata (Golgatha) (1921).

Mägi's new artistic period, begun on a trip to Italy, brought calmer tempers: Varemed Capril (Ruins in Capri; 1922–1923). Along with nature pictures, he painted flowers and portraits. Mägi's mostly beautiful female models express the Art Nouveau ideal of beauty: Holsti (1916). In his later portraits from the 1920s, a more serious temper is expressed: Madonna (1923–1924).

More Artworks by Konrad Mägi (View all 33 Artworks)

Maastikuetüüd

Maastikuetüüd (between 1916 and 1917)

Konrad Mägi (Estonian, 1878 – 1925)
Veneetsia

Veneetsia (between 1922 and 1923)

Konrad Mägi (Estonian, 1878 – 1925)
Maastik

Maastik (between 1908 and 1910)

Konrad Mägi (Estonian, 1878 – 1925)
Norra maastik

Norra maastik (between 1908 and 1910)

Konrad Mägi (Estonian, 1878 – 1925)
Naise portree (Ludmilla Allik)

Naise portree (Ludmilla Allik) (1923)

Konrad Mägi (Estonian, 1878 – 1925)
Naise portree (tanuga)

Naise portree (tanuga) (1900)

Konrad Mägi (Estonian, 1878 – 1925)
Norra tütarlapse portree

Norra tütarlapse portree (1909)

Konrad Mägi (Estonian, 1878 – 1925)
Itaalia maastik

Itaalia maastik (between 1922 and 1923)

Konrad Mägi (Estonian, 1878 – 1925)
Maastik Võrumaalt

Maastik Võrumaalt (1916 - 1917)

Konrad Mägi (Estonian, 1878 – 1925)
Naise portree

Naise portree (between 1923 and 1924)

Konrad Mägi (Estonian, 1878 – 1925)
Merelaht paatidega

Merelaht paatidega

Konrad Mägi (Estonian, 1878 – 1925)
Landscape from Estonia

Landscape from Estonia (1915-16)

Konrad Mägi (Estonian, 1878 – 1925)
Norra maastik

Norra maastik (between 1908 and 1911)

Konrad Mägi (Estonian, 1878 – 1925)
Sügismaastik

Sügismaastik

Konrad Mägi (Estonian, 1878 – 1925)
Sügismaastik

Sügismaastik (between 1908 and 1910)

Konrad Mägi (Estonian, 1878 – 1925)
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View all 33 Artworks

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