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Eugène Isabey - Court Reception at a Château

Court Reception at a Château (1851)

Eugène Isabey (French, 1803-1886)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1886 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Eugène Isabey

Eugène Louis Gabriel Isabey was a French painter, lithographer and watercolorist in the Romantic style.

He was born to Jean-Baptiste Isabey, a well known painter who enjoyed the patronage of the Imperial Family. Originally, he wanted to be a sailor, but his father insisted that he study painting; a turnabout from the usual situation where the family opposes an artistic career in favor of something more practical.

After studying with his father and copying the Old Masters at the Louvre, he began sharing a studio with the landscape painter, Xavier Leprince at Honfleur, in 1824, then moved to Saint-Siméon after Leprince's untimely death. The following year, he sent some landscapes to the Salon for his first formal exhibition.

In 1831, he was chosen to accompany a diplomatic mission to Morocco, led by the Comte de Mornay, but he politely refused. He had just returned from a short trip to Algiers, where he had painted scenes of the Royal Navy's campaign, and was concerned that the situation there was still too unsettled to make a lengthy stay. He was replaced by his friend, Eugène Delacroix, who created over 100 works that are now considered classics of Orientalism.

Shortly after, however, Isabey became a court painter for King Louis-Philippe and was named a Knight in the Légion d'Honneur in 1832. One of his best known paintings was done during this period, in 1840, depicting the return of Napoleon's remains from Saint Helena aboard the Belle Poule.

He favored historical paintings, genre scenes and landscapes, but also executed numerous canvases depicting storms and shipwrecks; possibly reflecting his own thwarted career plans. During a trip to England, he was known to have studied the works of J.M.W. Turner. He was especially skillful at rendering subtleties in darker colors; which might be called a form of grisaille. He took in students on a regular basis; including Eugène Boudin, Johan Barthold Jongkind and Durand-Brager. In his later years, he turned from marine painting to historical scenes, usually of a violent nature, such as massacres, duels and robberies.

A primary school in Montévrain has been named in his honor.

More Artworks by Eugène Isabey (View all 79 Artworks)

The Wreck

The Wreck (1854)

Eugène Isabey (French, 1803-1886)
Elegant Figures by Rough Seas

Elegant Figures by Rough Seas (1851)

Eugène Isabey (French, 1803-1886)
Seaside

Seaside (1830-1840)

Eugène Isabey (French, 1803-1886)
Le Port de Dieppe

Le Port de Dieppe (after 1842)

Eugène Isabey (French, 1803-1886)
St. John Church, Thiers

St. John Church, Thiers (1831)

Eugène Isabey (French, 1803-1886)
Lac d’Aidat, Auvergne

Lac d’Aidat, Auvergne (1831)

Eugène Isabey (French, 1803-1886)
St. Hubert’s day (the blessing of the hounds)

St. Hubert’s day (the blessing of the hounds)

Eugène Isabey (French, 1803-1886)
Couverture, Une Grève

Couverture, Une Grève (1833)

Eugène Isabey (French, 1803-1886)
Scène de bal

Scène de bal

Eugène Isabey (French, 1803-1886)
Fishing Boats at Anchor

Fishing Boats at Anchor (1836)

Eugène Isabey (French, 1803-1886)
A Promenade by the Sea

A Promenade by the Sea (1846)

Eugène Isabey (French, 1803-1886)
Église de St. Nectaire

Église de St. Nectaire (c. 1830–32)

Eugène Isabey (French, 1803-1886)
La lettre

La lettre

Eugène Isabey (French, 1803-1886)
Studies of Wood and Farm Implements

Studies of Wood and Farm Implements

Eugène Isabey (French, 1803-1886)
Pêcheurs à marée basse

Pêcheurs à marée basse (1855)

Eugène Isabey (French, 1803-1886)
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