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Cornelis Van Poelenburch - Council of The Gods

Council of The Gods (C. 1630)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1667 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Cornelis Van Poelenburch

Cornelis van Poelenburgh or Cornelis van Poelenburch, was a Dutch landscape painter and draughtsman. He was the leading representative of the first generation of Dutch landscape painters who were active in Rome in the early 17th century. He was known for small-scale paintings depicting Italianate landscapes with small figures enacting biblical or mythological scenes or in contemporary attire.

His birthplace is unknown. A signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht. He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620. He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels, the society of mainly Flemish and Dutch artists working in Rome. The Bentveughels would typically adopt a nickname referred to as the 'bent name'. Van Poelenburch's bentname was ‘satiro’ (‘Satyr’). He counted a few Roman cardinals under his patrons.

He was called to England by Charles I of England, for whom he made small cabinet pieces. A warrant for payment of rent for the dwellings of Cornelis van Poelenburgh and Alexander Keirincx, painters employed by the king since July 1638, was receipted by Mary Swetnam on 10 July 1649. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.

He painted mostly small landscapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine. His early work is similar in style to that of Bartholomeus Breenbergh to the point that their paintings are sometimes difficult to tell apart.

More Artworks by Cornelis Van Poelenburch (View all 41 Artworks)

Landscape

Landscape (1609–67)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
Elijah fed by the raven

Elijah fed by the raven

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
Landscape with Bathing Nudes

Landscape with Bathing Nudes (about 1640–1650)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
Wooded Landscape with Figures

Wooded Landscape with Figures (c. 1629)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
Landscape with a Ruin

Landscape with a Ruin

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
Bathing Men

Bathing Men (after c. 1646)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
Satyrs Spying on Nymphs

Satyrs Spying on Nymphs (After 1627)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
Diana and her attendants in a landscape with the spoils of the hunt

Diana and her attendants in a landscape with the spoils of the hunt

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
Cimon and Iphigenia

Cimon and Iphigenia (1630 - 1640)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
The Goddess Calypso rescues Ulysses

The Goddess Calypso rescues Ulysses (1630)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
  Feast of the gods

  Feast of the gods (1600s)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
An Italianate Landscape with an unidentified Subject from the Old Testament

An Italianate Landscape with an unidentified Subject from the Old Testament (c. 1620 - c. 1627)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
Diana and her Nymphs

Diana and her Nymphs (1659)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
Landscape

Landscape (1609–67)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
The Musical Contest between Apollo and Marsyas

The Musical Contest between Apollo and Marsyas (1630)

Cornelis Van Poelenburch (Dutch, 1594/95-1667)
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