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Richard Parkes Bonington - Corso Sant’Anastasia, Verona

Corso Sant’Anastasia, Verona

Richard Parkes Bonington (English, 1802-1828)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1828 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Richard Parkes Bonington

Richard Parkes Bonington was an English Romantic landscape painter, who moved to France at the age of 14 and can also be considered as a French artist, and an intermediary bringing aspects of English style to France. Becoming, after his early death, one of the most influential British artists of his time, the facility of his style was inspired by the old masters, yet was entirely modern in its application. His landscapes were mostly of coastal scenes, with a low horizon and large sky, showing a brilliant handling of light and atmosphere. He also painted small historical cabinet paintings in a freely-handled version of the troubadour style.

Richard Parkes Bonington was born in the town of Arnold, four miles from Nottingham. His father also known as Richard was successively a gaoler, a drawing master and lace-maker, and his mother a teacher. Bonington learned watercolour painting from his father and exhibited paintings at the Liverpool Academy at the age of eleven.

In 1817, Bonington's family moved to Calais, France, where his father had set up a lace factory. At this time, Bonington started taking lessons from the painter François Louis Thomas Francia, who, having recently returned from England, where he had been deeply influenced by the work of Thomas Girtin, taught him the English watercolour technique. In 1818, the Bonington family moved to Paris to open a lace shop. There he met and became friends with Eugène Delacroix. He worked for a time producing copies of Dutch and Flemish landscapes in the Louvre. In 1820, he started attending the École des Beaux-Arts in Paris, where he studied under Antoine-Jean, Baron Gros.

It was around this time that Bonington started going on sketching tours in the suburbs of Paris and the surrounding countryside. His first paintings were exhibited at the Paris Salon in 1822. He also began to work in oils and lithography, illustrating Baron Taylor's Voyages pittoresques dans l'ancienne France and his own architectural series Restes et Fragmens. In 1824, he won a gold medal at the Paris Salon along with John Constable and Anthony Vandyke Copley Fielding, and spent most of the year painting coastal views in Dunkirk.

In 1825 he met Delacroix on a visit with Alexandre-Marie Colin to London, and they sketched together there, and shared a studio for some months in Paris on their return; Delacroix influenced him in turning to historical painting. He also developed a technique mixing watercolour with gouache and gum, achieving an effect close to oil painting. In 1826 he visited northern Italy, staying in Venice for a month, and London again in 1827–8. In late 1828 his tuberculosis worsened and his parents sent him back to London for treatment. Bonington died of tuberculosis on 23 September 1828 at 29 Tottenham Street in London, aged 25. He was buried in the graveyard of St James's Chapel Pentonville and in 1837 his remains were transferred to Kensal Green Cemetery to be re-interred with his parents.

More Artworks by Richard Parkes Bonington (View all 98 Artworks)

Argyle Castle

Argyle Castle (1826)

Richard Parkes Bonington (English, 1802-1828)
The Church of St. Wulfran, Abbeville; The North Door of the West Front

The Church of St. Wulfran, Abbeville; The North Door of the West Front (ca. 1823)

Richard Parkes Bonington (English, 1802-1828)
View near Rouen

View near Rouen (ca. 1825)

Richard Parkes Bonington (English, 1802-1828)
The Piazzetta, Venice

The Piazzetta, Venice

Richard Parkes Bonington (English, 1802-1828)
Study of a Woman with her Head on her Hand

Study of a Woman with her Head on her Hand

Richard Parkes Bonington (English, 1802-1828)
A Wooded Stream and a Farmhouse in Normandy

A Wooded Stream and a Farmhouse in Normandy

Richard Parkes Bonington (English, 1802-1828)
Calais Jetty, France

Calais Jetty, France (ca. 1824)

Richard Parkes Bonington (English, 1802-1828)
View of the Thames with the dome of Saint Paul’s Cathedral, London

View of the Thames with the dome of Saint Paul’s Cathedral, London

Richard Parkes Bonington (English, 1802-1828)
Study of a Seated Woman

Study of a Seated Woman

Richard Parkes Bonington (English, 1802-1828)
View of Lerici with Baron Charles Rivet sketching in the foreground

View of Lerici with Baron Charles Rivet sketching in the foreground

Richard Parkes Bonington (English, 1802-1828)
A forest path

A forest path (1825-1826)

Richard Parkes Bonington (English, 1802-1828)
Caen – Maison Grande Rue Saint-Pierre

Caen – Maison Grande Rue Saint-Pierre

Richard Parkes Bonington (English, 1802-1828)
Coast Scene With Figures

Coast Scene With Figures (1822-28)

Richard Parkes Bonington (English, 1802-1828)
Study of a Gentleman in 17th Century Costume

Study of a Gentleman in 17th Century Costume (between 1827 and 1828)

Richard Parkes Bonington (English, 1802-1828)
Untitled

Untitled

Richard Parkes Bonington (English, 1802-1828)
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