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William Heath - Contrasts, pl. 3d. Ancient and modern gentlemen. 1729-1829.

Contrasts, pl. 3d. Ancient and modern gentlemen. 1729-1829. (1828)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1840 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.

Heath was born in Northumberland, England. His early works often dealt with military scenes, including colour plates for The Martial Achievements, The Wars of Wellington, etc., but from about 1820 on he focused on satire.

Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever".

Heath helped found an early caricature magazine, The Glasgow Looking Glass (renamed to The Northern Looking Glass after five issues). Heath created a numbered series of political caricatures between 1830 and 1834 for McLean's Monthly.

He died in Hampstead and was buried on the western side of Highgate Cemetery. His grave (no.124) no longer has a headstone or any identifying marker. The British Museum catalogue has over 160 works by Heath.

In Collection: British Cartoons (View all 1227)

It is Not All Gold That Glitters, – or Volunteers Settling About Pedigree and Precedence

It is Not All Gold That Glitters, – or Volunteers Settling About Pedigree and Precedence (1798)

Charles Ansell (English, active 1752–1790)
Rigging out a smuggler

Rigging out a smuggler

Thomas Rowlandson (English, 1756-1827)
Fashion

Fashion (1801)

Thomas Rowlandson (English, 1756-1827)
The Danger Over or Billy’s Return to John Bull

The Danger Over or Billy’s Return to John Bull (1798)

Charles Ansell (English, active 1752–1790)
John Bull come to the bone.

John Bull come to the bone. (1813)

William Heath (English, 1794-1840)
The monster melo-drama

The monster melo-drama (1807)

Samuel de Wilde (English, 1751-1832)
Vacation Amusements; Pheasant Shooting (Number I)

Vacation Amusements; Pheasant Shooting (Number I) (1840)

John Doyle (Irish, 1797 – 1868)
Royal Academy. Somerset House, London

Royal Academy. Somerset House, London (1811)

Thomas Rowlandson (English, 1756-1827)
Crimping a Quaker

Crimping a Quaker (1814)

Thomas Rowlandson (English, 1756-1827)
The landlady at your service sir

The landlady at your service sir (1827-1829)

William Heath (English, 1794-1840)
An Irish stew!.

An Irish stew!. (1830)

Charles Jameson Grant (English, active 1830–1852)
Waiting for dinner

Waiting for dinner (1790)

Thomas Rowlandson (English, 1756-1827)
Seated woman with infant

Seated woman with infant

Thomas Rowlandson (English, 1756-1827)
Stratagem better than force

Stratagem better than force (1827-1829)

William Heath (English, 1794-1840)
Doctor Syntax in St. Paul’s Church Yard, wet & windy day

Doctor Syntax in St. Paul’s Church Yard, wet & windy day (1812)

Thomas Rowlandson (English, 1756-1827)
View all 1227 Artworks

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