Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
Paul Gavarni - Contemporary types; Mr. Gontard (of Clos-Gorges), rich proprietor, eligible voter, going hunting at dawn

Contemporary types; Mr. Gontard (of Clos-Gorges), rich proprietor, eligible voter, going hunting at dawn

Paul Gavarni (French, 1804-1866)
Facebook Twitter Pinterest
Favourite
Collect

Standard, 1434 x 1800px JPG, Size: 2.96 MB

Download

Max Size, 4876 x 6119px JPG, Size: 27.42 MB

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Mais qu’elle est donc la femme qui ne serait pas heureuse et fière de vous appartenir, mon Jules

Mais qu’elle est donc la femme qui ne serait pas heureuse et fière de vous appartenir, mon Jules (1840)

Paul Gavarni (French, 1804-1866)
Adieu mon bon homme Je te laisse ma pipe et ma femme

Adieu mon bon homme Je te laisse ma pipe et ma femme (1839-1841)

Paul Gavarni (French, 1804-1866)
Il étudie sa médecine

Il étudie sa médecine (1839-1841)

Paul Gavarni (French, 1804-1866)
Mais au moins, moi Je ne suis pas numérotée. comme un fiacre

Mais au moins, moi Je ne suis pas numérotée. comme un fiacre

Paul Gavarni (French, 1804-1866)
Maman c’est Mosieu.. tu sais, ce Mosieu qui a ce nez

Maman c’est Mosieu.. tu sais, ce Mosieu qui a ce nez (1838-1840)

Paul Gavarni (French, 1804-1866)
Pastourelle

Pastourelle

Paul Gavarni (French, 1804-1866)
V’la qu’i fait jour j’suis échigné moi, dam Et toi

V’la qu’i fait jour j’suis échigné moi, dam Et toi (1840)

Paul Gavarni (French, 1804-1866)
Eh Mon cher ne te plains pas Tu seras médecin, de serai procureur du roi

Eh Mon cher ne te plains pas Tu seras médecin, de serai procureur du roi (1839-1841)

Paul Gavarni (French, 1804-1866)
Voyons mauvais sujet Trouvez que nos bals vaillent bien vos bastringues

Voyons mauvais sujet Trouvez que nos bals vaillent bien vos bastringues (1839-1841)

Paul Gavarni (French, 1804-1866)
Tais-toi, moutard, faut laisser jaser l’autorité

Tais-toi, moutard, faut laisser jaser l’autorité (1840)

Paul Gavarni (French, 1804-1866)
Bal à la Renaissance ce soir, lache ton boulet

Bal à la Renaissance ce soir, lache ton boulet (1839-1841)

Paul Gavarni (French, 1804-1866)
Donation entre vifs.

Donation entre vifs. (1839-1841)

Paul Gavarni (French, 1804-1866)
On cause affaires

On cause affaires

Paul Gavarni (French, 1804-1866)
Un petit de la pension qui disait que t’étais renégat, j’y ai fichu des gifflets. n’est ce pas, père, que t’es catho

Un petit de la pension qui disait que t’étais renégat, j’y ai fichu des gifflets. n’est ce pas, père, que t’es catho (1838-1840)

Paul Gavarni (French, 1804-1866)
Que tu es donc godiche, Tomon. puisque tu vas faire banqueroute, bête

Que tu es donc godiche, Tomon. puisque tu vas faire banqueroute, bête (1838-1840)

Paul Gavarni (French, 1804-1866)
View all 395 Artworks

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro