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Henry William Bunbury - Contadina della Savoja.
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Henry William Bunbury

Henry William Bunbury was an English caricaturist.

The second son of Sir William Bunbury, 5th Baronet (see Bunbury baronets), of Mildenhall, Suffolk, he came of an old Norman family. He was educated at Westminster School and St Catharine's College, Cambridge, and soon showed a talent for drawing, especially for humorous subjects. He temporarily left Cambridge to embark on a tour of Europe, during which time he may have studied in Rome; he returned to school in 1771 but is not known to have completed a degree. His European travels inspired a series of caricatures mocking foreigners, notably his La cuisine de la poste, exhibited at the Royal Academy in 1770.

His more serious efforts were no great success, but his caricatures are as famous as those of his contemporaries Thomas Rowlandson and James Gillray, good examples being his Country Club (1788), Barber's Shop (1803) and A Long Story (1782). He was a popular character, and the friend of most of the notabilities of his day, whom he never offended by attempting political satire; his easy circumstances and social position (he was colonel of the West Suffolk Militia, and was appointed equerry to the Duke of York and Albany in 1787) allowed him leisure to practise his talents.

The Oxford Dictionary of National Biography describes his A Long Minuet as Danced at Bath as the most successful of his lifetime, using an "innovative story-telling" format that is considered a forerunner to the comic strip. His caricatures were regularly reissued, even as he turned his attention to other subjects: he finished half of a commissioned set of 48 drawings of Shakespearean works before abandoning the series in 1796, and after the death of his wife and eldest son he took up oil painting.

In August 1771 he married Catherine, eldest daughter of Kane William Horneck and his wife Hannah Muggles. Bunbury and Catherine's second son Henry succeeded to the baronetcy.

In Collection: British Cartoons (View all 1227)

The mountain in labour – or, much ado about nothing.

The mountain in labour – or, much ado about nothing. (1829)

Robert Seymour (English, 1798 – 1836)
The Westminster deserter drum’d out of the Regiment

The Westminster deserter drum’d out of the Regiment

Thomas Rowlandson (English, 1756-1827)
Morning Noon Night.

Morning Noon Night. (1829)

William Heath (English, 1794-1840)
I believe I’m right.

I believe I’m right. (1823)

Richard Dighton (English, 1795-1880)
The visit.

The visit. (1799)

Thomas Rowlandson (English, 1756-1827)
That’s the nattiest wig that ever was seen and so my wife said, and so all my customers have said, and it becomes you hugely.

That’s the nattiest wig that ever was seen and so my wife said, and so all my customers have said, and it becomes you hugely.

Anonymous
The Parish Overseer

The Parish Overseer (1827-1829)

William Heath (English, 1794-1840)
View of the interior of Simon Ward alias St. Brener’s Church, Cornwall

View of the interior of Simon Ward alias St. Brener’s Church, Cornwall

Thomas Rowlandson (English, 1756-1827)
The full blown Macaroni.

The full blown Macaroni. (1772)

Henry William Bunbury (English, 1750-1811)
View of the Theatre, Printing House &c., Oxford

View of the Theatre, Printing House &c., Oxford (1810)

Thomas Rowlandson (English, 1756-1827)
Soldiers attending divine service

Soldiers attending divine service (1798)

Thomas Rowlandson (English, 1756-1827)
Commanders engaged at sea

Commanders engaged at sea (1802)

Thomas Rowlandson (English, 1756-1827)
Charley the principal-d broker.

Charley the principal-d broker. (1822)

Richard Dighton (English, 1795-1880)
Tea on shore

Tea on shore (1794)

Thomas Rowlandson (English, 1756-1827)
Le neglige

Le neglige (1786)

Thomas Rowlandson (English, 1756-1827)
View all 1227 Artworks

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