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James Sayers - Concerto Coalitionale

Concerto Coalitionale (1785)

James Sayers (English, 1748 – 1823)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1823 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
James Sayers

James Sayers (or Sayer) was an English caricaturist . Many of his works are described in the Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum which has an extensive holdings of his works collected at the time of original publication by Sarah Sophia Banks.

He was born at Great Yarmouth, Norfolk, the son of a merchant captain. He began as clerk in an attorney's office, and was for a time a member of the borough council. In 1780 his father's death provided him with a small fortune, and he went to London. As a political caricaturist he supported William Pitt the Younger. His plate of "Carlo Khan's triumphal entry into Leadenhall Street" was admitted by Charles James Fox, against whom it was directed, to have damaged his public image. Sayer was always at his best when attacking Fox, whose strong features he portrayed with remarkable power, always so as to make them convey expressions of defiant impudence or anger. Pitt, not known as a patron of the arts, provided Sayer with a place as marshal of the Exchequer court. He died in Curzon Street, Mayfair.

Sayer's "Carlo Khan" has been frequently reproduced. But he can only be judged with confidence after examining the collection in the British Museum, or other public libraries. His drawings, made originally with pencil on oil paper, were etched for him by the Brethertons ((James Bretherton, Charles Bretherton)). They were then sold in collections of the size of a large octavo copybook, under such titles as Illustrious Heads (1794) or Outlines of the Opposition (1795). Sayer left a complete gallery of small full-length pictures of the public men of his time, slightly caricatured. In his large plates he is inferior to James Gillray, and he never has the grace of Thomas Rowlandson, but he was closer to the truth than either.

He also wrote political propaganda as prose and verse The Foundling Chapel Brawl, Elijah's Mantle, All The Talent's Garland, Hints to J.Nollekens Esq

In Collection: British Cartoons (View all 1227)

Brobdignag Cottage. Rusticating.

Brobdignag Cottage. Rusticating. (1824)

William Heath (English, 1794-1840)
A chip off the old block.

A chip off the old block. (19th century)

Anonymous
Don’t be alarm’d Mr. Guage, I’ll shave you as smooth as the palm of my hand.

Don’t be alarm’d Mr. Guage, I’ll shave you as smooth as the palm of my hand. (19th century)

Anonymous
Taste

Taste (1801)

Thomas Rowlandson (English, 1756-1827)
The whole truth, or John Bull with his eyes opened.

The whole truth, or John Bull with his eyes opened. (1821)

Theodore Lane (English, 1800–1828)
At home and abroad. Abroad and at home

At home and abroad. Abroad and at home (1807)

Thomas Rowlandson (English, 1756-1827)
Conjugal Felicity in High Life

Conjugal Felicity in High Life (1819)

Charles Williams (English, ?-1830)
Elements of skateing. Making the most of a passing friend in a case of emergency!.

Elements of skateing. Making the most of a passing friend in a case of emergency!. (1805)

James Gillray (English, 1757-1815)
The rival whiskers

The rival whiskers (1824)

George Hunt (English, active 1824-1831)
Gig hauling, or gentlemanly amusement for the nineteenth century

Gig hauling, or gentlemanly amusement for the nineteenth century (1801)

Thomas Rowlandson (English, 1756-1827)
Theatrical Doctors Recovering Clara’s Notes

Theatrical Doctors Recovering Clara’s Notes (1802)

Charles Williams (English, ?-1830)
Neddy’s Black Box, Containing what he does not value Three Shipps of a Louse

Neddy’s Black Box, Containing what he does not value Three Shipps of a Louse (1789)

James Sayers (English, 1748 – 1823)
Recovery of a dormant title, or A breeches maker become a lord

Recovery of a dormant title, or A breeches maker become a lord (1812)

Thomas Rowlandson (English, 1756-1827)
What I was, what I am, what I should be – Thief

What I was, what I am, what I should be – Thief (1797)

Anonymous
The Triumverate of Gloucester Place, or the Clarke, the Soldier, and the Taylor

The Triumverate of Gloucester Place, or the Clarke, the Soldier, and the Taylor (1809)

Thomas Rowlandson (English, 1756-1827)
View all 1227 Artworks

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