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Paul Gavarni - Comment, chéri, je ne saurai pas où j’ai fourré ma capote grise

Comment, chéri, je ne saurai pas où j’ai fourré ma capote grise

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Comment vont nos petits époux ce matin.

Comment vont nos petits époux ce matin. (1839-1841)

Paul Gavarni (French, 1804-1866)
Tu ne sais pas, Mosieu Coquardeau, ce que ta fille a fait. c’est égal il me déplairait

Tu ne sais pas, Mosieu Coquardeau, ce que ta fille a fait. c’est égal il me déplairait (1840)

Paul Gavarni (French, 1804-1866)
Mosieu j’suis Cocardeau

Mosieu j’suis Cocardeau (1839-1841)

Paul Gavarni (French, 1804-1866)
Qu’est-ce que tu as. aumoins on sait que c’est ton ami

Qu’est-ce que tu as. aumoins on sait que c’est ton ami (1840)

Paul Gavarni (French, 1804-1866)
Donation entre vifs.

Donation entre vifs. (1839-1841)

Paul Gavarni (French, 1804-1866)
J’ai un service à te demander, mon bon Joseph

J’ai un service à te demander, mon bon Joseph (1840-1841)

Paul Gavarni (French, 1804-1866)
Petit Chérubin, j’ai apporté du bonbon pour vous. donne le moi tout de suite et puis va-t-en

Petit Chérubin, j’ai apporté du bonbon pour vous. donne le moi tout de suite et puis va-t-en (1838-1840)

Paul Gavarni (French, 1804-1866)
M’man n’y est pas, parce que tu rentres avant cinq heures, puisque si tétais pas revenu avant cinq heures, n’y avait p

M’man n’y est pas, parce que tu rentres avant cinq heures, puisque si tétais pas revenu avant cinq heures, n’y avait p (1838-1840)

Paul Gavarni (French, 1804-1866)
Une enfant une enfant, Mosieu, dont je me croyais, avant hier encore, le premier et le seul amour Si vous avez été

Une enfant une enfant, Mosieu, dont je me croyais, avant hier encore, le premier et le seul amour Si vous avez été (1840)

Paul Gavarni (French, 1804-1866)
Ainsi donc il me trompe. je vais me venger

Ainsi donc il me trompe. je vais me venger (1840)

Paul Gavarni (French, 1804-1866)
V’la qu’i fait jour j’suis échigné moi, dam Et toi

V’la qu’i fait jour j’suis échigné moi, dam Et toi (1840)

Paul Gavarni (French, 1804-1866)
Eh B’en après Quand j’aurai connu Mosieu Bélamy C’est-il une raison pour qu’on parle mal sur moi.

Eh B’en après Quand j’aurai connu Mosieu Bélamy C’est-il une raison pour qu’on parle mal sur moi. (1840-1841)

Paul Gavarni (French, 1804-1866)
Gulliver Awed by Three Giant Beggars in the Land of Brobdingnag

Gulliver Awed by Three Giant Beggars in the Land of Brobdingnag (1862)

Paul Gavarni (French, 1804-1866)
Où as-tu eu la petite que t’as

Où as-tu eu la petite que t’as

Paul Gavarni (French, 1804-1866)
Il étudie sa médecine

Il étudie sa médecine (1839-1841)

Paul Gavarni (French, 1804-1866)
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