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William Heath - Come to my arms King of the Protocals!!!.

Come to my arms King of the Protocals!!!. (1831)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1840 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.

Heath was born in Northumberland, England. His early works often dealt with military scenes, including colour plates for The Martial Achievements, The Wars of Wellington, etc., but from about 1820 on he focused on satire.

Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever".

Heath helped found an early caricature magazine, The Glasgow Looking Glass (renamed to The Northern Looking Glass after five issues). Heath created a numbered series of political caricatures between 1830 and 1834 for McLean's Monthly.

He died in Hampstead and was buried on the western side of Highgate Cemetery. His grave (no.124) no longer has a headstone or any identifying marker. The British Museum catalogue has over 160 works by Heath.

In Collection: British Cartoons (View all 1227)

A Dish of Mutton-Chop’s

A Dish of Mutton-Chop’s (1788)

James Sayers (English, 1748 – 1823)
The Union Club

The Union Club (1801)

Charles Williams (English, ?-1830)
The misery of intriguing

The misery of intriguing

Thomas Rowlandson (English, 1756-1827)
Monopolisers Caught in Their Own Trap or a Companion to the Farmers Toast

Monopolisers Caught in Their Own Trap or a Companion to the Farmers Toast (1801)

Charles Williams (English, ?-1830)
The crowe & the pigeon

The crowe & the pigeon (1799)

Thomas Rowlandson (English, 1756-1827)
King Henry VIII. Act II, scene IV.

King Henry VIII. Act II, scene IV. (1820)

Lewis Marks
The Fatal Blow, John Bull Overburthen’d

The Fatal Blow, John Bull Overburthen’d

William O'Keefe (English, 18th Century)
The Rage

The Rage (ca. 1794)

William O'Keefe (English, 18th Century)
Vauxhall, 1732

Vauxhall, 1732 (1784)

Thomas Rowlandson (English, 1756-1827)
House-breakers

House-breakers (1791)

Thomas Rowlandson (English, 1756-1827)
The consultation

The consultation (1792)

Thomas Rowlandson (English, 1756-1827)
Omnibus Race

Omnibus Race (1840)

John Doyle (Irish, 1797 – 1868)
A real TB.

A real TB. (1824)

Richard Dighton (English, 1795-1880)
Don’t pull my nose so hard; curse it you take it for a sow’s ear.

Don’t pull my nose so hard; curse it you take it for a sow’s ear. (19th century)

Anonymous
Portsmouth Point

Portsmouth Point

Thomas Rowlandson (English, 1756-1827)
View all 1227 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
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