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William Heath - Come, move on there – it’s time you was in bed, young woman. Any body with half an eye could see you were in liquor.

Come, move on there – it’s time you was in bed, young woman. Any body with half an eye could see you were in liquor. (1830)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1840 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.

Heath was born in Northumberland, England. His early works often dealt with military scenes, including colour plates for The Martial Achievements, The Wars of Wellington, etc., but from about 1820 on he focused on satire.

Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever".

Heath helped found an early caricature magazine, The Glasgow Looking Glass (renamed to The Northern Looking Glass after five issues). Heath created a numbered series of political caricatures between 1830 and 1834 for McLean's Monthly.

He died in Hampstead and was buried on the western side of Highgate Cemetery. His grave (no.124) no longer has a headstone or any identifying marker. The British Museum catalogue has over 160 works by Heath.

More Artworks by William Heath (View all 151 Artworks)

Old Nic the covey wot drives the Bexley van.

Old Nic the covey wot drives the Bexley van. (1829)

William Heath (English, 1794-1840)
A Wellington boot – or head of the army.

A Wellington boot – or head of the army. (1827)

William Heath (English, 1794-1840)
Mr. Bartley as Falstaff

Mr. Bartley as Falstaff (1815)

William Heath (English, 1794-1840)
The Fashion behind but not behind the fashion

The Fashion behind but not behind the fashion (1827-1829)

William Heath (English, 1794-1840)
To see our featherd nymph appear in all her flaunting glittering gear

To see our featherd nymph appear in all her flaunting glittering gear (1827-1829)

William Heath (English, 1794-1840)
Stratagem better than force

Stratagem better than force (1827-1829)

William Heath (English, 1794-1840)
The bears at bay – intended as one of a series of illustrations for the nonintervention system.

The bears at bay – intended as one of a series of illustrations for the nonintervention system. (1831)

William Heath (English, 1794-1840)
A sketch of the row in Parliament Street.

A sketch of the row in Parliament Street. (1829)

William Heath (English, 1794-1840)
A sketch of what, was once a dandy.

A sketch of what, was once a dandy. (1823)

William Heath (English, 1794-1840)
An outside jaunting car

An outside jaunting car (1827-1829)

William Heath (English, 1794-1840)
No Genius

No Genius (1827-1829)

William Heath (English, 1794-1840)
Greedy old Nickford eating oysters, leaving the poor devils from minor hells in a starving condition.

Greedy old Nickford eating oysters, leaving the poor devils from minor hells in a starving condition. (1829)

William Heath (English, 1794-1840)
A sketch of the Great Agi-Tater.

A sketch of the Great Agi-Tater. (1829)

William Heath (English, 1794-1840)
It is the very fashion of the time

It is the very fashion of the time (1827-1829)

William Heath (English, 1794-1840)
Contrasts, pl. 3d. Ancient and modern gentlemen. 1729-1829.

Contrasts, pl. 3d. Ancient and modern gentlemen. 1729-1829. (1828)

William Heath (English, 1794-1840)
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