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William Heath - Come, move on there – it’s time you was in bed, young woman. Any body with half an eye could see you were in liquor.

Come, move on there – it’s time you was in bed, young woman. Any body with half an eye could see you were in liquor. (1830)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1840 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.

Heath was born in Northumberland, England. His early works often dealt with military scenes, including colour plates for The Martial Achievements, The Wars of Wellington, etc., but from about 1820 on he focused on satire.

Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever".

Heath helped found an early caricature magazine, The Glasgow Looking Glass (renamed to The Northern Looking Glass after five issues). Heath created a numbered series of political caricatures between 1830 and 1834 for McLean's Monthly.

He died in Hampstead and was buried on the western side of Highgate Cemetery. His grave (no.124) no longer has a headstone or any identifying marker. The British Museum catalogue has over 160 works by Heath.

More Artworks by William Heath (View all 151 Artworks)

The rival Richards or Sheakspear in danger

The rival Richards or Sheakspear in danger

William Heath (English, 1794-1840)
Finis.

Finis. (1829)

William Heath (English, 1794-1840)
Morning Noon Night.

Morning Noon Night. (1829)

William Heath (English, 1794-1840)
Hope told a flattering tale.

Hope told a flattering tale. (1825-1830)

William Heath (English, 1794-1840)
A new way of gaining admittance to a lady’s chamber.

A new way of gaining admittance to a lady’s chamber.

William Heath (English, 1794-1840)
The parish overseer.

The parish overseer.

William Heath (English, 1794-1840)
Alarming state of the times. Pleasant itimation.

Alarming state of the times. Pleasant itimation. (1830)

William Heath (English, 1794-1840)
A Wellington boot – or head of the army.

A Wellington boot – or head of the army. (1827)

William Heath (English, 1794-1840)
The dress circle

The dress circle (1827-1829)

William Heath (English, 1794-1840)
Gentlemens bores!!!.

Gentlemens bores!!!. (1832)

William Heath (English, 1794-1840)
Free trade – Westminster review – January, 1830 No. XXIII.

Free trade – Westminster review – January, 1830 No. XXIII. (1830)

William Heath (English, 1794-1840)
A la mode, 1829

A la mode, 1829 (1827-1829)

William Heath (English, 1794-1840)
A frolic at the Melon Shop in Piccadilly.

A frolic at the Melon Shop in Piccadilly. (1826)

William Heath (English, 1794-1840)
The march of intellect

The march of intellect (1827-1829)

William Heath (English, 1794-1840)
Mr. Bartley as Falstaff

Mr. Bartley as Falstaff (1815)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects. .
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