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Thomas Stothard - Classical Figures Drawing

Classical Figures Drawing

Thomas Stothard (English, 1755-1834)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1834 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Thomas Stothard

Thomas Stothard was an English painter, illustrator and engraver. His son, Robert T. Stothard was a painter (fl.1810): he painted the proclamation outside York Minster of Queen Victoria's accession to the throne in June 1837

Stothard was born in London, the son of a well-to-do innkeeper in Long Acre A delicate child, he was sent at the age of five to a relative in Yorkshire, and attended school at Acomb, and afterwards at Tadcaster and at Ilford, Essex. Showing talent for drawing, he was apprenticed to a draughtsman of patterns for brocaded silks in Spitalfields. In his spare time, he attempted illustrations for the works of his favourite poets. Some of these drawings were praised by James Harrison, the editor of the Novelist's Magazine. Stothard's master having died, he resolved to devote himself to art.

In 1778 Stothard became a student of the Royal Academy, of which he was elected associate in 1792 and full academician in 1794. In 1812 he was appointed librarian to the Academy after serving as assistant for two years. Among his earliest book illustrations are plates engraved for Ossian and for Bell's Poets. In 1780, he became a regular contributor to the Novelist's Magazine, for which he produced 148 designs, including his eleven illustrations to The Adventures of Peregrine Pickle (by Tobias Smollett) and his graceful subjects from Clarissa and The History of Sir Charles Grandison (both by Samuel Richardson).

From 1786, Thomas Fielding, a friend of Stothard's and engraver, produced engravings using designs by Stothard, Angelika Kauffmann, and of his own. Arcadian scenes were especially esteemed. Fielding realised these in colour, using copper engraving, and achieved excellent quality. Stothard's designs had an exceptional aesthetic appeal.

He designed plates for pocket-books, tickets for concerts, illustrations to almanacs, and portraits of popular actors. These are popular with collectors for their grace and distinction.

More Artworks by Thomas Stothard (View all 66 Artworks)

The Mill

The Mill (ca. 1820)

Thomas Stothard (English, 1755-1834)
One of Six Illustrations to Fenelon’s ‘The Adventures of Telemachus son of Ulysses’

One of Six Illustrations to Fenelon’s ‘The Adventures of Telemachus son of Ulysses’ (ca. 1784)

Thomas Stothard (English, 1755-1834)
The Tenth Day of the Decameron

The Tenth Day of the Decameron (ca. 1825)

Thomas Stothard (English, 1755-1834)
One of Six Illustrations to Fenelon’s ‘The Adventures of Telemachus son of Ulysses’

One of Six Illustrations to Fenelon’s ‘The Adventures of Telemachus son of Ulysses’ (ca. 1784)

Thomas Stothard (English, 1755-1834)
The Supper by the Fountain

The Supper by the Fountain (ca. 1820)

Thomas Stothard (English, 1755-1834)
Chinese Youth (balancing a jar held aloft)

Chinese Youth (balancing a jar held aloft)

Thomas Stothard (English, 1755-1834)
A Study for the Wellington Monument

A Study for the Wellington Monument

Thomas Stothard (English, 1755-1834)
Untitled

Untitled

Thomas Stothard (English, 1755-1834)
As you like it, act V, sc. 4

As you like it, act V, sc. 4

Thomas Stothard (English, 1755-1834)
A Tiger

A Tiger

Thomas Stothard (English, 1755-1834)
The Dance

The Dance (ca. 1820)

Thomas Stothard (English, 1755-1834)
The Fortune Teller

The Fortune Teller (1827)

Thomas Stothard (English, 1755-1834)
One of Six Illustrations to Fenelon’s ‘The Adventures of Telemachus son of Ulysses’

One of Six Illustrations to Fenelon’s ‘The Adventures of Telemachus son of Ulysses’ (ca. 1784)

Thomas Stothard (English, 1755-1834)
Macbeth

Macbeth

Thomas Stothard (English, 1755-1834)
Prospero, Miranda and Ariel, from ‘The Tempest,’ Act I, scene ii

Prospero, Miranda and Ariel, from ‘The Tempest,’ Act I, scene ii (1799)

Thomas Stothard (English, 1755-1834)
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