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Paul Gavarni - Cette madame de Lieusaint est-elle bête puisque je suis Charles Dubourg et que tu es mon papa, tu ne pourrais pas t’a

Cette madame de Lieusaint est-elle bête puisque je suis Charles Dubourg et que tu es mon papa, tu ne pourrais pas t’a (1838-1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Le marquis de Chancelles est à Naples

Le marquis de Chancelles est à Naples (1840-1841)

Paul Gavarni (French, 1804-1866)
L’Intolérance est fille des faux Dieux

L’Intolérance est fille des faux Dieux (1840)

Paul Gavarni (French, 1804-1866)
Ah l’on vous menait au bois. voilà donc ce à quoi j’aurais été moi-même exposé

Ah l’on vous menait au bois. voilà donc ce à quoi j’aurais été moi-même exposé (1840)

Paul Gavarni (French, 1804-1866)
Il étudie sa médecine

Il étudie sa médecine (1839-1841)

Paul Gavarni (French, 1804-1866)
Au reçu de ce biller montez à cheval. Et cette femme, c’est la vôtre

Au reçu de ce biller montez à cheval. Et cette femme, c’est la vôtre (1840)

Paul Gavarni (French, 1804-1866)
Ch. Chandellier

Ch. Chandellier (1842)

Paul Gavarni (French, 1804-1866)
Agathe et toi, mon vieux Ferdinand, ça ne sera pas long

Agathe et toi, mon vieux Ferdinand, ça ne sera pas long (1840)

Paul Gavarni (French, 1804-1866)
Study for ‘Petites causes celebres, No. 22′(‘Allez!…vous n’avez pas dans votre justice…’)

Study for ‘Petites causes celebres, No. 22′(‘Allez!…vous n’avez pas dans votre justice…’) (1840)

Paul Gavarni (French, 1804-1866)
Mais pourquoi donc, Mosieu Bachu, que tu viens toujours embêter Papa comme ça pour ta mécanique

Mais pourquoi donc, Mosieu Bachu, que tu viens toujours embêter Papa comme ça pour ta mécanique (1838-1840)

Paul Gavarni (French, 1804-1866)
Maman a écrit à mosieu Prosper et papa a vu la lettre. Ô il était joliment en colère papa. parceque maman avait fai

Maman a écrit à mosieu Prosper et papa a vu la lettre. Ô il était joliment en colère papa. parceque maman avait fai (1838-1840)

Paul Gavarni (French, 1804-1866)
Combien ça te coûte-il un habit comme ça ..

Combien ça te coûte-il un habit comme ça .. (1840-1841)

Paul Gavarni (French, 1804-1866)
Ce Mosieu Ernest est assez bien. moi çà ma dégoute, ah

Ce Mosieu Ernest est assez bien. moi çà ma dégoute, ah (1840)

Paul Gavarni (French, 1804-1866)
Les artistes (l’atelier du lithographe). Comme c’est leger!

Les artistes (l’atelier du lithographe). Comme c’est leger! (1838)

Paul Gavarni (French, 1804-1866)
Point de fait, à la suite d’un point de droit.

Point de fait, à la suite d’un point de droit. (1840-1841)

Paul Gavarni (French, 1804-1866)
Voyons Lodie Voyons

Voyons Lodie Voyons

Paul Gavarni (French, 1804-1866)
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