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Paul Gavarni - C’est-y-toi, dis Majesté, qu’aurait jamais le coeur de ficher tant de coups

C’est-y-toi, dis Majesté, qu’aurait jamais le coeur de ficher tant de coups

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Le père de la Lorette

Le père de la Lorette

Paul Gavarni (French, 1804-1866)
La canne que Papa a trouvée dans l’armoire de Maman, le jour qu’il était si en colère, elle était bien plus belle que

La canne que Papa a trouvée dans l’armoire de Maman, le jour qu’il était si en colère, elle était bien plus belle que (1838-1840)

Paul Gavarni (French, 1804-1866)
Qu’est ce que tu lis là

Qu’est ce que tu lis là

Paul Gavarni (French, 1804-1866)
Dis-donc Miroux. dis-donc Miroux. dequoi donc que Madame Miroux te fait porter

Dis-donc Miroux. dis-donc Miroux. dequoi donc que Madame Miroux te fait porter (1838-1840)

Paul Gavarni (French, 1804-1866)
C’est le papa de mossieu Arthur qui un mossieu embêtant Cré chien

C’est le papa de mossieu Arthur qui un mossieu embêtant Cré chien

Paul Gavarni (French, 1804-1866)
Point de fait, à la suite d’un point de droit.

Point de fait, à la suite d’un point de droit. (1840-1841)

Paul Gavarni (French, 1804-1866)
Après le café

Après le café

Paul Gavarni (French, 1804-1866)
Mon Dieu çà lui a pris hier au soir après que Mossieu a été parti. ah nous avons eu joliment peur

Mon Dieu çà lui a pris hier au soir après que Mossieu a été parti. ah nous avons eu joliment peur (1840)

Paul Gavarni (French, 1804-1866)
Le Débardeur – Ne me parlez pas des femmes en Carnaval pour s’amuser

Le Débardeur – Ne me parlez pas des femmes en Carnaval pour s’amuser (1840)

Paul Gavarni (French, 1804-1866)
Non bis in idem Vas-t-en j’y suis

Non bis in idem Vas-t-en j’y suis (1839-1841)

Paul Gavarni (French, 1804-1866)
Article 212 du Code civil.

Article 212 du Code civil. (1839-1841)

Paul Gavarni (French, 1804-1866)
– Dix-sept francs. – Non Cent sous. – Quinze vrancs (barceque c’est fous) sic

– Dix-sept francs. – Non Cent sous. – Quinze vrancs (barceque c’est fous) sic

Paul Gavarni (French, 1804-1866)
Le marquis de Chancelles est à Naples

Le marquis de Chancelles est à Naples (1840-1841)

Paul Gavarni (French, 1804-1866)
On aime donc un peu sa biche Trop, mauvais sujet

On aime donc un peu sa biche Trop, mauvais sujet (1840)

Paul Gavarni (French, 1804-1866)
Memories of Carnival, No. 3; The tray of refreshments

Memories of Carnival, No. 3; The tray of refreshments

Paul Gavarni (French, 1804-1866)
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