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Paul Gavarni - C’est bien drôle que ma femme devait diner chez Maman Coquardeau et que je n’y trouve que les petits. c’est bien drô

C’est bien drôle que ma femme devait diner chez Maman Coquardeau et que je n’y trouve que les petits. c’est bien drô (1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Le v’là. ote ton chapeau

Le v’là. ote ton chapeau (1840)

Paul Gavarni (French, 1804-1866)
Monsieur n’est-ce pas que ça n’est pas vrai, que vous n’avez pas les cheveux peints

Monsieur n’est-ce pas que ça n’est pas vrai, que vous n’avez pas les cheveux peints (1838-1840)

Paul Gavarni (French, 1804-1866)
Que tu es donc godiche, Tomon. puisque tu vas faire banqueroute, bête

Que tu es donc godiche, Tomon. puisque tu vas faire banqueroute, bête (1838-1840)

Paul Gavarni (French, 1804-1866)
Que voulez-vous J’irai tout seul. satané migraine tu souffres donc bien pauvre chat

Que voulez-vous J’irai tout seul. satané migraine tu souffres donc bien pauvre chat (1840)

Paul Gavarni (French, 1804-1866)
Avoir perdu ses plus belles années, tout ce qu’on avait d’illusion, de simplicité de coeur, beauté. jeunesse

Avoir perdu ses plus belles années, tout ce qu’on avait d’illusion, de simplicité de coeur, beauté. jeunesse

Paul Gavarni (French, 1804-1866)
Tu ne la reconnais pas L’ancienne à Badinguet Une belle blonde

Tu ne la reconnais pas L’ancienne à Badinguet Une belle blonde (1839-1841)

Paul Gavarni (French, 1804-1866)
Comme ça doit vous coûter cher, Madame Hortense, une calèche comme ça, bleue avec les deux chevaux

Comme ça doit vous coûter cher, Madame Hortense, une calèche comme ça, bleue avec les deux chevaux

Paul Gavarni (French, 1804-1866)
Eh Ben Landerneau ça ne va donc pas mieux

Eh Ben Landerneau ça ne va donc pas mieux (1840)

Paul Gavarni (French, 1804-1866)
On a souvent besoin d’un plus petit que soi

On a souvent besoin d’un plus petit que soi (1840-1841)

Paul Gavarni (French, 1804-1866)
Qu’est ce que c’est donc que ce bacchanal-là

Qu’est ce que c’est donc que ce bacchanal-là

Paul Gavarni (French, 1804-1866)
Comment, ma petite, je viens de rencontrer ton mari avec Monsieur Edouard. O Virginie je te reconnais bien là

Comment, ma petite, je viens de rencontrer ton mari avec Monsieur Edouard. O Virginie je te reconnais bien là (1840)

Paul Gavarni (French, 1804-1866)
Oh c’est vrai t’as les yeux comme les lanternes de ton cabriolet. ah bien Clemence a joliement raison, par exempl

Oh c’est vrai t’as les yeux comme les lanternes de ton cabriolet. ah bien Clemence a joliement raison, par exempl (1838-1840)

Paul Gavarni (French, 1804-1866)
Valet de coeur et valet de trèfle bataille

Valet de coeur et valet de trèfle bataille

Paul Gavarni (French, 1804-1866)
La mode (Fashion)

La mode (Fashion) (1844)

Paul Gavarni (French, 1804-1866)
M’ame Perpignan. M’ame Perpignan. deux donzames, une bouteille, deux pains, un filet-champignons, une pomme saut

M’ame Perpignan. M’ame Perpignan. deux donzames, une bouteille, deux pains, un filet-champignons, une pomme saut (1839-1841)

Paul Gavarni (French, 1804-1866)
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