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Perry Watkins - Case of Philip Lawrence: green bandeau and sheer skirt

Case of Philip Lawrence: green bandeau and sheer skirt (1934-1943)

Perry Watkins (American, 1907-1974 )
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
This work was commissioned by the United States federal government as part of the Works Progress Administration (WPA) program. It is not subject to copyright protection.

Perry Watkins was the first African American set designer on Broadway. He was also a stage painter, makeup and costume artist, producer, and film art director.

Born in Providence, Rhode Island on April 13, 1907, Watkins attended Hope High School where he and a friend hand wrote and decorated a daily newspaper called “The Foolscape.” Awarded a scholarship to study art at the Rhode Island School of Design in 1926, he studied figure drawing under Vincent Bernasconi and still life under Asa G. Randall, the school’s most prominent artists.

Despite having his paintings displayed at the Springfield (Massachusetts) Museum and the Providence Art Club, he struggled financially and worked as a waiter, chauffeur, insurance salesman, reporter, draftsmen, and commercial illustrator. By 1936, unemployed and broke, he applied to the Federal Theatre Project with a sample production, and was quickly employed.

Starting as a stagehand and becoming assistant technical director at Lafayette Theatre in New York City, he began a flurry of work, painting drops, dying costumes, and operating the lighting for several shows.

In 1939 Watkins made a breakthrough, becoming the first black Broadway set designer when he was commissioned by Guthrie McClintock for Mamba’s Daughters.

As a result of the show’s incredible success and a recommendation by Robert Edmond Jones, Watkins was permitted to take the drafting and art exam for admission into the Set Designer’s Union. He passed it easily and became the first African American to be admitted. In 1939 he taught in the Rose McClendon Workshop Theatre and the following year designed the set for the revival of The Big White Fog at Lincoln Theatre in Harlem.

Later in life he ventured into film and television, working on art direction and design for films such as Hercules in New York (1969) which debuted Arnold Schwarzenegger, Come Back, Charleston Blue (1972), the critically acclaimed blaxploitation film Across 110th Street (1972), and Gordon’s War (1973).

Perry Robert Watkins passed away August 14, 1974 in New York City at the age of 66.

In Collection: Federal Theatre Project (View all 1212)

Pirates of Penzance: Daughter #6. Green dress with yellow sleeves, and hem

Pirates of Penzance: Daughter #6. Green dress with yellow sleeves, and hem (1934-1943)

Alex Jones (American, 19th/20th century)
Horse Play: Sketch no. 2 Act III (City Bank Interior)

Horse Play: Sketch no. 2 Act III (City Bank Interior) (1934-1943)

Edward Gilbert (American, 19th/20th century)
Injunction Granted: The Molly Maguires

Injunction Granted: The Molly Maguires (1934-1943)

Hjalmar Hermanson
Fantasy 1939: ‘Immediate Comment’ 10 Women-Part I

Fantasy 1939: ‘Immediate Comment’ 10 Women-Part I (1934-1943)

Alex Jones (American, 19th/20th century)
Prologue to Glory: Sketch no. 1 (Shadowy Interior)

Prologue to Glory: Sketch no. 1 (Shadowy Interior) (1934-1943)

Frederick Stover (American, 20th Century)
Life and Death of an American: Miss van Dorn checked blue overcoat, purple dress, black hat

Life and Death of an American: Miss van Dorn checked blue overcoat, purple dress, black hat (1934-1943)

Alex Jones (American, 19th/20th century)
Ah, Wilderness!

Ah, Wilderness! (1934-1943)

Anonymous
The Drunkard or The Fallen Saved

The Drunkard or The Fallen Saved (1934-1943)

Anonymous
One More Spring: Sketch no. 1 (Rustic Cabin Interior with Field and Skyscrapers in Background)

One More Spring: Sketch no. 1 (Rustic Cabin Interior with Field and Skyscrapers in Background) (1934-1943)

William Perkins (American, 19th/20th century)
Spain Costume

Spain Costume (1934-1943)

Anonymous
African Dancers: Voodoo Women Masks

African Dancers: Voodoo Women Masks (1934-1943)

Ralph Weidhaus (American, 20th Century)
A Touch of Brimstone: Sketch no. 1, Domestic Interiors

A Touch of Brimstone: Sketch no. 1, Domestic Interiors (1934-1943)

Michael Adrian (American, 20th Century)
Bluebeard: Brian

Bluebeard: Brian (1934-1943)

Emile Stoner (American, 19th/20th century)
Emperor’s New Clothes: The General

Emperor’s New Clothes: The General (1934-1943)

Maxine Borowsky (American, 20th Century)
Mikado

Mikado (1934-1943)

Anonymous
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License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
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