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James Sayers - Carlo Khan’s Triumphal entry into Leadenhall Street

Carlo Khan’s Triumphal entry into Leadenhall Street (1783)

James Sayers (English, 1748 – 1823)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1823 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
James Sayers

James Sayers (or Sayer) was an English caricaturist . Many of his works are described in the Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum which has an extensive holdings of his works collected at the time of original publication by Sarah Sophia Banks.

He was born at Great Yarmouth, Norfolk, the son of a merchant captain. He began as clerk in an attorney's office, and was for a time a member of the borough council. In 1780 his father's death provided him with a small fortune, and he went to London. As a political caricaturist he supported William Pitt the Younger. His plate of "Carlo Khan's triumphal entry into Leadenhall Street" was admitted by Charles James Fox, against whom it was directed, to have damaged his public image. Sayer was always at his best when attacking Fox, whose strong features he portrayed with remarkable power, always so as to make them convey expressions of defiant impudence or anger. Pitt, not known as a patron of the arts, provided Sayer with a place as marshal of the Exchequer court. He died in Curzon Street, Mayfair.

Sayer's "Carlo Khan" has been frequently reproduced. But he can only be judged with confidence after examining the collection in the British Museum, or other public libraries. His drawings, made originally with pencil on oil paper, were etched for him by the Brethertons ((James Bretherton, Charles Bretherton)). They were then sold in collections of the size of a large octavo copybook, under such titles as Illustrious Heads (1794) or Outlines of the Opposition (1795). Sayer left a complete gallery of small full-length pictures of the public men of his time, slightly caricatured. In his large plates he is inferior to James Gillray, and he never has the grace of Thomas Rowlandson, but he was closer to the truth than either.

He also wrote political propaganda as prose and verse The Foundling Chapel Brawl, Elijah's Mantle, All The Talent's Garland, Hints to J.Nollekens Esq

In Collection: British Cartoons (View all 1227)

A Russian dandy, a scene at Aix la Chappelle.

A Russian dandy, a scene at Aix la Chappelle. (1818)

William Heath (English, 1794-1840)
Property Protected – a la Francoise

Property Protected – a la Francoise (1798)

Charles Ansell (English, active 1752–1790)
The country club

The country club

Thomas Rowlandson (English, 1756-1827)
A visit to the camp.

A visit to the camp.

Henry William Bunbury (English, 1750-1811)
Beauties

Beauties (1792)

Thomas Rowlandson (English, 1756-1827)
The theatrical ranter.

The theatrical ranter. (1794)

Anonymous
Witches in a hay loft

Witches in a hay loft (1807)

Thomas Rowlandson (English, 1756-1827)
Adventures of Roderick Random; Roderick’s examination at Surgeons Hall.

Adventures of Roderick Random; Roderick’s examination at Surgeons Hall. (1792)

Samuel Collings (English, active 1784–1789)
House-breakers

House-breakers (1791)

Thomas Rowlandson (English, 1756-1827)
A sudden squall in Hyde Park

A sudden squall in Hyde Park (1791)

Thomas Rowlandson (English, 1756-1827)
A field day in Hyde Park

A field day in Hyde Park (1791)

Thomas Rowlandson (English, 1756-1827)
A sketch of the Great Agi-Tater.

A sketch of the Great Agi-Tater. (1829)

William Heath (English, 1794-1840)
The Spa

The Spa (1813)

Thomas Rowlandson (English, 1756-1827)
Recruiting scene

Recruiting scene

Denis Dighton (English, 1792 – 1827)
The rival candidates

The rival candidates (1784)

Thomas Rowlandson (English, 1756-1827)
View all 1227 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
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