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Emile Othon Friesz - Bouquet De Fleurs

Bouquet De Fleurs (circa 1906)

Emile Othon Friesz (French, 1879 – 1949)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1949 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Emile Othon Friesz

Achille-Émile Othon Friesz, who later called himself Othon Friesz, a native of Le Havre, was a French artist of the Fauvist movement.

Othon Friesz was born in Le Havre, the son of a long line of shipbuilders and sea captains. He went to school in his native city. It was while he was at the Lycée that he met his lifelong friend Raoul Dufy. He and Dufy studied at the Le Havre School of Fine Arts in 1895-96 and then went to Paris together for further study. In Paris, Friesz met Henri Matisse, Albert Marquet, and Georges Rouault. Like them, he rebelled against the academic teaching of Bonnat and became a member of the Fauves, exhibiting with them in 1907. The following year, Friesz returned to Normandy and to a much more traditional style of painting, since he had discovered that his personal goals in painting were firmly rooted in the past. He opened his own studio in 1912 and taught until 1914 at which time he joined the army for the duration of the war. He resumed living in Paris in 1919 and remained there, except for brief trips to Toulon and the Jura Mountains, until his death in 1949.

During the last thirty years of his life, he painted in a style completely removed from that of his earlier colleagues and his contemporaries. Having abandoned the lively arabesques and brilliant colors of his Fauve years, Friesz returned to the more sober palette he had learned in Le Havre from his professor Charles Lhuillier and to an early admiration for Poussin, Chardin, and Corot. He painted in a manner that respected Cézanne's ideas of logical composition, simple tonality, solidity of volume, and distinct separation of planes. A faint baroque flavor adds vigor to his (most well-known) landscapes, still lifes, and figure paintings.

Othon Friesz died in Paris. He is buried in the Cimetière du Montparnasse in Paris. His pupils included the painter Marthe Rakine.

More Artworks by Emile Othon Friesz (View all 61 Artworks)

Le port de Toulon

Le port de Toulon (1929)

Emile Othon Friesz (French, 1879 – 1949)
Stående nøgen kvinde.

Stående nøgen kvinde. (1907 – 1908)

Emile Othon Friesz (French, 1879 – 1949)
Mother’s Love

Mother’s Love (1914)

Emile Othon Friesz (French, 1879 – 1949)
Château de Crozant dominant la Creuse

Château de Crozant dominant la Creuse (1901)

Emile Othon Friesz (French, 1879 – 1949)
Sortie de port à Honfleur

Sortie de port à Honfleur (1933)

Emile Othon Friesz (French, 1879 – 1949)
La Crique, Toulon

La Crique, Toulon (1926)

Emile Othon Friesz (French, 1879 – 1949)
L’Estuaire à Honfleur

L’Estuaire à Honfleur (1945-48)

Emile Othon Friesz (French, 1879 – 1949)
Femme allongée

Femme allongée (1928)

Emile Othon Friesz (French, 1879 – 1949)
La Seine À Paris, La Tour Eiffel, Le Jour

La Seine À Paris, La Tour Eiffel, Le Jour (circa 1905-06)

Emile Othon Friesz (French, 1879 – 1949)
La Ciotat

La Ciotat (1907)

Emile Othon Friesz (French, 1879 – 1949)
Paysage de Cassis

Paysage de Cassis (1910)

Emile Othon Friesz (French, 1879 – 1949)
Automne à Honfleur, la Côte de Grâce

Automne à Honfleur, la Côte de Grâce (1909)

Emile Othon Friesz (French, 1879 – 1949)
La fenêtre sur le port de Toulon

La fenêtre sur le port de Toulon (1927)

Emile Othon Friesz (French, 1879 – 1949)
Bal AAAA

Bal AAAA (1923)

Emile Othon Friesz (French, 1879 – 1949)
Cap-Brun

Cap-Brun (circa 1924)

Emile Othon Friesz (French, 1879 – 1949)
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