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Otto Greiner - Bookplate of Dr W. Erhardt; Non Frangor

Bookplate of Dr W. Erhardt; Non Frangor (1900)

Otto Greiner (German, 1869-1916)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1916 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Otto Greiner

Otto Greiner began his artistic career training as a lithographer in his home town of Leipzig. In 1888 he was awarded a bursary enabling him to continue his studies at the Academy of Art in Munich. At a Munich exhibition he encountered the work of Max Klinger – already a leading figure in contemporary art. The encounter proved to be life-changing. Greiner resolved to establish contact with Klinger in Italy. A first meeting took place in Rome in 1891. A friendship quickly developed and Klinger actively encouraged his younger colleague in his work. Both artists firmly rejected the view some critics held that theirs was a teacher-pupil relationship.

Greiner quickly recognized Italy as his spiritual home. He settled in Rome permanently in 1898, moving into Klinger’s former studio near the Colosseum. He was in contact with and highly regarded by the community of German artists living and working in Rome. When Italy entered the war in 1915 he was obliged to return to Munich. He died in Munich in 1916 after contracting pneumonia.

Greiner was a printmaker and draughtsman of pre-eminent talent but he also aspired to public recognition as a painter. Many of his paintings are monumental in format and draw on mythological subjects, often depicting nudes in Italianate landscapes. Notable examples are Ulysses and the Sirens (formerly Museum der bildenden Künste, Leipzig), Hercules and Omphale (Staatsgalerie, Stuttgart) and Prometheus (National Gallery of Canada, Toronto). He produced a large body of studies, working in ink, charcoal, red chalk, gouache and coloured crayon. These drawings underline the precision of his working methods and his confident handling of materials, techniques and subjects, combined with remarkable compositional skill and virtuoso draughtsmanship. Depictions of the human figure were central to his interests – his predilection for particularly complex poses had few parallels at the time. His masterly portrait drawings and nudes are his major artistic legacy.

In Collection: Ex Libris (View all 1913)

Jordi Monsalvatje i Fossas

Jordi Monsalvatje i Fossas

L. Brunet
Ekslibris Ferdinand Wulff (Hamburg)

Ekslibris Ferdinand Wulff (Hamburg) (1899)

Lütcke & Wulff
Columbia College (New York, N.Y.) Library

Columbia College (New York, N.Y.) Library

Anonymous
Ekslibris jubileuszowy Jana Pawła II (1920-2005)

Ekslibris jubileuszowy Jana Pawła II (1920-2005) (1998)

Jerzy Napieracz (Polish, 1929-2018)
Ekslibris Maurycego Epsteina (1883–1940)

Ekslibris Maurycego Epsteina (1883–1940) (1900-1909)

Emanuel Muchanow
Arenberg

Arenberg

Auguste Félix Schoy (Belgian, 1838-1885)
Harold May Elwood

Harold May Elwood (1898)

Harold M. Ellis
Arthur Fairfield Gray

Arthur Fairfield Gray

Anonymous
Bookplate of Jan Fryderyk Sapieha

Bookplate of Jan Fryderyk Sapieha (1736)

Jan Fryderyk Mylius (Polish, 18th Century)
Bookplate; E.P.B. Philips

Bookplate; E.P.B. Philips (1900)

Joseph W. Simpson (English, 1879-1939)
Bookplate of Wilh. Weigand

Bookplate of Wilh. Weigand (1894)

Otto Greiner (German, 1869-1916)
Philip John Budworth

Philip John Budworth

Anonymous
Herb albo ekslibris z herbem Sołtyk i orderem Orła Białego

Herb albo ekslibris z herbem Sołtyk i orderem Orła Białego

Anonymous
Bookplate; Elmi P. Mills

Bookplate; Elmi P. Mills

Charles Samuel Keene (English, 1823-1891)
Charles Peabody Outhwaite

Charles Peabody Outhwaite

Anonymous
View all 1913 Artworks

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