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Otto Greiner - Bookplate of Dr W. Erhardt; Non Frangor

Bookplate of Dr W. Erhardt; Non Frangor (1900)

Otto Greiner (German, 1869-1916)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1916 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Otto Greiner

Otto Greiner began his artistic career training as a lithographer in his home town of Leipzig. In 1888 he was awarded a bursary enabling him to continue his studies at the Academy of Art in Munich. At a Munich exhibition he encountered the work of Max Klinger – already a leading figure in contemporary art. The encounter proved to be life-changing. Greiner resolved to establish contact with Klinger in Italy. A first meeting took place in Rome in 1891. A friendship quickly developed and Klinger actively encouraged his younger colleague in his work. Both artists firmly rejected the view some critics held that theirs was a teacher-pupil relationship.

Greiner quickly recognized Italy as his spiritual home. He settled in Rome permanently in 1898, moving into Klinger’s former studio near the Colosseum. He was in contact with and highly regarded by the community of German artists living and working in Rome. When Italy entered the war in 1915 he was obliged to return to Munich. He died in Munich in 1916 after contracting pneumonia.

Greiner was a printmaker and draughtsman of pre-eminent talent but he also aspired to public recognition as a painter. Many of his paintings are monumental in format and draw on mythological subjects, often depicting nudes in Italianate landscapes. Notable examples are Ulysses and the Sirens (formerly Museum der bildenden Künste, Leipzig), Hercules and Omphale (Staatsgalerie, Stuttgart) and Prometheus (National Gallery of Canada, Toronto). He produced a large body of studies, working in ink, charcoal, red chalk, gouache and coloured crayon. These drawings underline the precision of his working methods and his confident handling of materials, techniques and subjects, combined with remarkable compositional skill and virtuoso draughtsmanship. Depictions of the human figure were central to his interests – his predilection for particularly complex poses had few parallels at the time. His masterly portrait drawings and nudes are his major artistic legacy.

In Collection: Ex Libris (View all 1914)

Gustav Drobner

Gustav Drobner

Hermann Feldmann
Johann Boyničić

Johann Boyničić (1881)

Emil Doepler Jr.
Ex libris Max von Ditfurth

Ex libris Max von Ditfurth (1913)

Josef von Diveky (Hungarian, 1887-1951)
Lulu Littlejohn

Lulu Littlejohn (1919)

Anonymous
Dast Le Vacher De Boisville

Dast Le Vacher De Boisville

Anonymous
Bookplate of Kazimierz Reychman with a scholar in his study (I)

Bookplate of Kazimierz Reychman with a scholar in his study (I) (1907)

Feliks Jabłczyński
Karl Emich, Grafin zu Leiningen-Westerburg.

Karl Emich, Grafin zu Leiningen-Westerburg. (1904)

Adolf Closs
Bookplate; Adolfo Padovan; Non omnis moriar

Bookplate; Adolfo Padovan; Non omnis moriar (1902)

Gaetano Previati (Italian, 1852 - 1920)
Bookplate of Agnes Weiland

Bookplate of Agnes Weiland (1910)

Gadso Weiland (German, 1869-1915)
Ekslibris Carl Toelle

Ekslibris Carl Toelle (1899-1900)

Anonymous
John Paul Ritchey

John Paul Ritchey (1901)

Anonymous
Ekslibris księdza Józefa Tischnera (1931–2000) (wersja C)

Ekslibris księdza Józefa Tischnera (1931–2000) (wersja C) (1992)

Jerzy Napieracz (Polish, 1929-2018)
Ekslibris Jose Monsalvatje

Ekslibris Jose Monsalvatje (1905)

Anonymous
Ex libris van Iván Nagy

Ex libris van Iván Nagy

Kornél Révész (Hungarian, 1885-1944)
Università di Messina Libraries

Università di Messina Libraries

Anonymous
View all 1914 Artworks

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