Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
Joseph Kenny Meadows - As you like it, act III, sc. 3 [Touchstone and Audrey]

As you like it, act III, sc. 3 [Touchstone and Audrey] (1845)

Joseph Kenny Meadows (English, 1790–1874)
Facebook Twitter Pinterest
Favourite
Collect

Standard, 1137 x 1800px JPG, Size: 1.91 MB

Download

Max Size, 4474 x 7080px JPG, Size: 30.7 MB

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1874 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Joseph Kenny Meadows

Joseph Kenny Meadows, better known as Kenny Meadows, was a British caricaturist and illustrator. He is best known for the drawings that he contributed to Punch and for his illustrations of scenes from Shakespeare's plays. Much of his work was drawn in a humorous bohemian style. He was well known for the quality of his illustrations, although the critical reception of his work was often mixed.

Meadows' first major project was Heads of the People in 1840. His acquaintance with Douglas Jerrold allowed him to become the illustrator of the project. Other contributors to the book included William Makepeace Thackeray and Leigh Hunt. He also contributed to The Illuminated Magazine, which was edited by Jerrold as well. In addition, he drew several illustrations for the Christmas editions of Illustrated London News.

Meadows became a prominent artist due to his work for Punch. He contributed fourteen total drawings to the paper. They were published in 1843 and 1844, appearing in the first through the seventh volumes. He worked very closely with John Leech while they were employed there. At the time that he first began working for Punch he was one of its oldest contributors.

William Powell Frith once described him as "perhaps the best" of Punch's early illustrators. Other critics have stated that the quality the work that he produced varied. His drawings were hailed by some commentators more thoughtful than the typical burlesque treatments the subjects of his drawings often received. Others have faulted his work for a lack of humour and inventiveness. He was often noted, however, for the youthful enthusiasm he had toward drawing.

His drawings often included the depiction of a butterfly at the mouth of a cannon, which symbolisied peace. A similar design was used by Sir Edwin Henry Landseer in a painting, and some have attributed this similarity to Meadows' influence on Landseer.

Meadows often read Shakespeare and memorised many passages. He published a volume of illustrated scenes from Shakespeare in 1843. Though he and several of his friends considered this work to be his masterpiece, some reviewers criticised his interpretations of several characters. It was particularly well received in Germany, however. He continued working on depictions of scenes from Shakespeare for his entire life.

Meadows was the son of a Naval officer and was born in Cardigan. Although his first name was Joseph, he listed his name as Kenny Meadows in professional use. He lived in Camden Town for much of his life. He was married to the sister of Archibald Henning, a fellow artist who contributed to Punch. Meadow's wife was very frugal, and he allowed her to run the household's finances. Their niece Margaret married James Hannay, who wrote for Punch in the 1850s.

Meadows, who was known to be very outgoing and a night owl, spent much of his time visiting with friends and drinking gin. He was a friend of many prominent writers, including Charles Dickens, Henry Vizetelly and William Godwin.

In Collection: Illustrations to Shakespeare (View all 1404)

Romeo and Juliet; A capulet

Romeo and Juliet; A capulet

Percy Anderson (English, 1851-1928)
‘It is ten o’clock. Thus we may see,’ quoth he, ‘how the world wags’ Act II, scene vii

‘It is ten o’clock. Thus we may see,’ quoth he, ‘how the world wags’ Act II, scene vii (1887)

Edwin Austin Abbey (American, 1852 - 1911)
Romeo and Juliet; Montague

Romeo and Juliet; Montague

Percy Anderson (English, 1851-1928)
Virgilia, character in Coriolanus

Virgilia, character in Coriolanus

Joseph Kenny Meadows (English, 1790–1874)
Henry IV and the young prince [King Henry IV, pt. 2, act IV, scene 5]

Henry IV and the young prince [King Henry IV, pt. 2, act IV, scene 5] (19th century)

William Francis Starling (English, active 1833 - 1845)
A midsummer night’s dream, III, 2, at the Adelphi, Puck; ‘My mistress with a monster is in love’

A midsummer night’s dream, III, 2, at the Adelphi, Puck; ‘My mistress with a monster is in love’ (1905)

Charles Buchel (English, 1872–1950)
Macbeth, banquet scene, Lyceum Theatre, February 2, 1889, Sir Henry Irving as Macbeth, Ellen Terry as Lady Macbeth

Macbeth, banquet scene, Lyceum Theatre, February 2, 1889, Sir Henry Irving as Macbeth, Ellen Terry as Lady Macbeth (1889)

John Jellicoe (English, 1842 – 1914)
Hamlet Pl.26

Hamlet Pl.26 (1900-1922)

John Austen (English, 1886-1948)
King Henry VI, pt. 1 ; King Richard II ; Merchant of Venice

King Henry VI, pt. 1 ; King Richard II ; Merchant of Venice (1843)

Joseph Kenny Meadows (English, 1790–1874)
Cymbeline; ‘Hark, hark! the lark at heaven’s gate sings’ Act II, Scene III

Cymbeline; ‘Hark, hark! the lark at heaven’s gate sings’ Act II, Scene III (1890s)

Walford Graham Robertson (English, 1866-1948)
Illustrations to As you like it Pl.06

Illustrations to As you like it Pl.06 (1901-1910)

Hugh Thomson (American, 1860-1920)
Ophelia, character in Hamlet

Ophelia, character in Hamlet (1864)

Edward Goodwyn Lewis (English, 1827-1891)
Winter’s tale, this poor deserted baby was found by a shepherd

Winter’s tale, this poor deserted baby was found by a shepherd (1917-1918)

Louis Rhead (American, 1857-1926)
Twelfth night, III, 1, Olivia; ‘Why houndest thou man, what is the matter with thee’

Twelfth night, III, 1, Olivia; ‘Why houndest thou man, what is the matter with thee’ (1884)

John Jellicoe (English, 1842 – 1914)
Thurio; ‘How now, Sir Proteus, are you crept before us’, sc. IV, 2

Thurio; ‘How now, Sir Proteus, are you crept before us’, sc. IV, 2

Walter Crane (English, 1845 - 1915)
View all 1404 Artworks

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro