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Paul Gavarni - As-tu vu M’ame Chose et le petit baron qui ne peuvent pas se voir

As-tu vu M’ame Chose et le petit baron qui ne peuvent pas se voir (1840)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Dis donc Ce voleur de bric-à-brac qui voulait reprendre mes souvenirs et mes regrets pour quatre livres dix sous

Dis donc Ce voleur de bric-à-brac qui voulait reprendre mes souvenirs et mes regrets pour quatre livres dix sous

Paul Gavarni (French, 1804-1866)
Après vous, Mossieu sic

Après vous, Mossieu sic

Paul Gavarni (French, 1804-1866)
Depuis que j’ai été forcé de tuer un homme pour lui avoir donné un soufflet, ah J’ai les soufflets en horreur

Depuis que j’ai été forcé de tuer un homme pour lui avoir donné un soufflet, ah J’ai les soufflets en horreur (1840-1841)

Paul Gavarni (French, 1804-1866)
Oh c’est vrai t’as les yeux comme les lanternes de ton cabriolet. ah bien Clemence a joliement raison, par exempl

Oh c’est vrai t’as les yeux comme les lanternes de ton cabriolet. ah bien Clemence a joliement raison, par exempl (1838-1840)

Paul Gavarni (French, 1804-1866)
Malheureuse tu feras la honte de ton sexe et le desespoir du mien

Malheureuse tu feras la honte de ton sexe et le desespoir du mien (1840)

Paul Gavarni (French, 1804-1866)
En voulez-vous de la crevette. Pas cher

En voulez-vous de la crevette. Pas cher (1840)

Paul Gavarni (French, 1804-1866)
Mosieu j’suis Cocardeau

Mosieu j’suis Cocardeau (1839-1841)

Paul Gavarni (French, 1804-1866)
Ex Libris C. Patel

Ex Libris C. Patel (19th century)

Paul Gavarni (French, 1804-1866)
Ô Femme Chef-d’oeuvre de la création Reine de l’humanité.

Ô Femme Chef-d’oeuvre de la création Reine de l’humanité. (1839-1841)

Paul Gavarni (French, 1804-1866)
Voyons mauvais sujet Trouvez que nos bals vaillent bien vos bastringues

Voyons mauvais sujet Trouvez que nos bals vaillent bien vos bastringues (1839-1841)

Paul Gavarni (French, 1804-1866)
Ah Ça décidément Caroline est folle du petit anglais

Ah Ça décidément Caroline est folle du petit anglais (1840)

Paul Gavarni (French, 1804-1866)
Après diner Maman, n’est-ce pas (j’ai été bien sage) nous irons chez mon bon ami

Après diner Maman, n’est-ce pas (j’ai été bien sage) nous irons chez mon bon ami (1838-1840)

Paul Gavarni (French, 1804-1866)
Qu’est ce que c’est Tu nous dérange pour ça

Qu’est ce que c’est Tu nous dérange pour ça (1840)

Paul Gavarni (French, 1804-1866)
Combien ça te coûte-il un habit comme ça ..

Combien ça te coûte-il un habit comme ça .. (1840-1841)

Paul Gavarni (French, 1804-1866)
Le même jour machère Me laisser siffler deux hommes, deux Dont un que j’idolâtrais

Le même jour machère Me laisser siffler deux hommes, deux Dont un que j’idolâtrais

Paul Gavarni (French, 1804-1866)
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