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Paul Gavarni - As-tu jamais vu Cette petite Elodie Charnu qui ne vous regarde pas

As-tu jamais vu Cette petite Elodie Charnu qui ne vous regarde pas

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Mais Docteur, vous vous trompez. la nature a des mystères qu’il n’est pas toujours donné à une science d’approfo

Mais Docteur, vous vous trompez. la nature a des mystères qu’il n’est pas toujours donné à une science d’approfo (1840)

Paul Gavarni (French, 1804-1866)
Maman Maman. Ah par exemple que voila un malhonnête

Maman Maman. Ah par exemple que voila un malhonnête (1838-1840)

Paul Gavarni (French, 1804-1866)
C’est le papa de mossieu Arthur qui un mossieu embêtant Cré chien

C’est le papa de mossieu Arthur qui un mossieu embêtant Cré chien

Paul Gavarni (French, 1804-1866)
C’etais ‘pour se donner des forces’

C’etais ‘pour se donner des forces’ (c. 1845)

Paul Gavarni (French, 1804-1866)
Maman a écrit à mosieu Prosper et papa a vu la lettre. Ô il était joliment en colère papa. parceque maman avait fai

Maman a écrit à mosieu Prosper et papa a vu la lettre. Ô il était joliment en colère papa. parceque maman avait fai (1838-1840)

Paul Gavarni (French, 1804-1866)
Qui Moi et Zélie, Achille et toi. – Où – Aux vendanges

Qui Moi et Zélie, Achille et toi. – Où – Aux vendanges (1840)

Paul Gavarni (French, 1804-1866)
Grand Papa sa fiché de petite maman, parceque petite Maman s’est fait des tetais avec du coton, na

Grand Papa sa fiché de petite maman, parceque petite Maman s’est fait des tetais avec du coton, na (1838-1840)

Paul Gavarni (French, 1804-1866)
Vois-tu, ma petite, quand un amoureux commence à devenir dangereux. et on fait des bêtises

Vois-tu, ma petite, quand un amoureux commence à devenir dangereux. et on fait des bêtises (1840)

Paul Gavarni (French, 1804-1866)
Doux Jérus Où que vas me sauver La Félicité qui fait des manières

Doux Jérus Où que vas me sauver La Félicité qui fait des manières (1840)

Paul Gavarni (French, 1804-1866)
Allons Allons Mazuri Tiens-toi, allons

Allons Allons Mazuri Tiens-toi, allons (1840)

Paul Gavarni (French, 1804-1866)
Standing Man

Standing Man

Paul Gavarni (French, 1804-1866)
Pas le sou, un jour de Chaumière

Pas le sou, un jour de Chaumière (1839-1841)

Paul Gavarni (French, 1804-1866)
Mosieu j’suis Cocardeau

Mosieu j’suis Cocardeau (1838-1840)

Paul Gavarni (French, 1804-1866)
Est-ce que c’est vrai Monsieur le Marquis, que vous êtes toujours obligé de regarder en Bourgogne si la Champagne brul

Est-ce que c’est vrai Monsieur le Marquis, que vous êtes toujours obligé de regarder en Bourgogne si la Champagne brul (1838-1840)

Paul Gavarni (French, 1804-1866)
Valet de coeur et valet de trèfle bataille

Valet de coeur et valet de trèfle bataille

Paul Gavarni (French, 1804-1866)
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