Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Drawings
    • Illustration
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
Perry Watkins - Androcles and the Lion: 10th Christian

Androcles and the Lion: 10th Christian (1934-1943)

Perry Watkins (American, 1907-1974 )
Facebook Twitter Pinterest
Favourite
Collect

Standard, 1266 x 1800px JPG, Size: 1.33 MB

Download

Max Size, 3726 x 5296px JPG, Size: 8.38 MB

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
This work was commissioned by the United States federal government as part of the Works Progress Administration (WPA) program. It is not subject to copyright protection.

Perry Watkins was the first African American set designer on Broadway. He was also a stage painter, makeup and costume artist, producer, and film art director.

Born in Providence, Rhode Island on April 13, 1907, Watkins attended Hope High School where he and a friend hand wrote and decorated a daily newspaper called “The Foolscape.” Awarded a scholarship to study art at the Rhode Island School of Design in 1926, he studied figure drawing under Vincent Bernasconi and still life under Asa G. Randall, the school’s most prominent artists.

Despite having his paintings displayed at the Springfield (Massachusetts) Museum and the Providence Art Club, he struggled financially and worked as a waiter, chauffeur, insurance salesman, reporter, draftsmen, and commercial illustrator. By 1936, unemployed and broke, he applied to the Federal Theatre Project with a sample production, and was quickly employed.

Starting as a stagehand and becoming assistant technical director at Lafayette Theatre in New York City, he began a flurry of work, painting drops, dying costumes, and operating the lighting for several shows.

In 1939 Watkins made a breakthrough, becoming the first black Broadway set designer when he was commissioned by Guthrie McClintock for Mamba’s Daughters.

As a result of the show’s incredible success and a recommendation by Robert Edmond Jones, Watkins was permitted to take the drafting and art exam for admission into the Set Designer’s Union. He passed it easily and became the first African American to be admitted. In 1939 he taught in the Rose McClendon Workshop Theatre and the following year designed the set for the revival of The Big White Fog at Lincoln Theatre in Harlem.

Later in life he ventured into film and television, working on art direction and design for films such as Hercules in New York (1969) which debuted Arnold Schwarzenegger, Come Back, Charleston Blue (1972), the critically acclaimed blaxploitation film Across 110th Street (1972), and Gordon’s War (1973).

Perry Robert Watkins passed away August 14, 1974 in New York City at the age of 66.

In Collection: Federal Theatre Project (View all 1212)

Uncle Tom’s Cabin: Blue flowered blouse, with grey skirt

Uncle Tom’s Cabin: Blue flowered blouse, with grey skirt (1934-1943)

Peter Crosby
The Disappointment: Sketch no. 2, A Tavern Sign of the Tun, A Street…

The Disappointment: Sketch no. 2, A Tavern Sign of the Tun, A Street… (1934-1943)

Wood MacLane (American, 19th/20th century)
Pinocchio: Preliminary Drawing of the Puppet Stage for Act I, Scene 3

Pinocchio: Preliminary Drawing of the Puppet Stage for Act I, Scene 3 (1934-1943)

Perry Watkins (American, 1907-1974 )
Vaudeville: Sketch no. 16 (Jazz Club Scene

Vaudeville: Sketch no. 16 (Jazz Club Scene (1934-1943)

George Williams
On Top: Designed for Jane Wilday. White gown with black ruffle and black collar and cuff

On Top: Designed for Jane Wilday. White gown with black ruffle and black collar and cuff (1934-1943)

Emile Stoner (American, 19th/20th century)
The Amazing Dr. Clitterhouse

The Amazing Dr. Clitterhouse (1934-1943)

Anonymous
A Christmas Carol: Sketch no. 2, The Exchange

A Christmas Carol: Sketch no. 2, The Exchange (1934-1943)

Roland Foley
Tobias and the Angel: 1st Dancing Girl

Tobias and the Angel: 1st Dancing Girl (1934-1943)

Mary Merrill (American, 19th/20th century)
Vaudeville Revue

Vaudeville Revue (1934-1943)

Anonymous
African Dancers: Tribal Masks

African Dancers: Tribal Masks (1934-1943)

Ralph Weidhaus
Aladdin: Merchant

Aladdin: Merchant (1934-1943)

Sidney Carlyle (American, 19th/20th century)
The Black Crook: Specialty Dancer

The Black Crook: Specialty Dancer (1934-1943)

Sidney Carlyle (American, 19th/20th century)
Children’s Autumn Festival

Children’s Autumn Festival (1934-1943)

Anonymous
The Taming of the Shrew: Sincentio

The Taming of the Shrew: Sincentio (1934-1943)

John Glidden (American, 19th/20th century)
Vaudeville: Curtain (Gold Silhouettes of Nudes over Plum Curtains)

Vaudeville: Curtain (Gold Silhouettes of Nudes over Plum Curtains) (1934-1943)

James Stewart Morcom (American, 1906-2001)
View all 1212 Artworks

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Drawings
    • Illustration
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro