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Anton Maria Zanetti the Elder - An Old Man Standing

An Old Man Standing (1725)

Anton Maria Zanetti the Elder (Italian, 1689-1767)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1767 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Anton Maria Zanetti the Elder

Count Anton Maria Zanetti was a Venetian artist, engraver, art critic, art dealer and connoisseur. He formed a collection of engraved gems, of which he published a lavish catalogue.

Zanetti spent his early manhood making wise investments in marine insurance, accumulating sufficient capital to support his true vocation, as a writer and artist, and as an art dealer, doing much of his business with the English aristocrats who passed through Venice on the Grand Tour. He acted as paintings agent for Philippe d'Orléans in forming the Orléans collection, Paris, and Joseph Wenzel I, Prince of Liechtenstein, in expanding the Liechtenstein collection, Vienna. Pierre Crozat, being in Venice in 1715, persuaded Zanetti and his protégé Rosalba Carriera to go to Paris. Zanetti also visited London, where he purchased Jan Petersen Zoomer's three large volumes containing 428 Rembrandt etchings in outstanding impressions of the various states.

He formed a collection of engraved gems, both Greco-Roman and modern, of which he published a lavish catalogue, in the form of A.F. Gori's Le gemme antiche di Anton Maria Zanetti (1750), illustrated with eighty plates of engravings from his own drawings. The drawings for the engravings, and many of his intaglios and cameos, are conserved in the Museo Correr, Venice. His prize piece, a black cameo of Hadrian's favourite, Antinous, which he had pursued for years before acquiring it, was bought by George Spencer, 4th Duke of Marlborough and gained the sobriquet of the "Marlborough gem".

As a printmaker, Zanetti advanced the art of the Chiaroscuro woodcut, producing many prints after paintings by Parmigianino, Tintoretto and others.

More Artworks by Anton Maria Zanetti the Elder

Putti Playing with Goat

Putti Playing with Goat

Anton Maria Zanetti the Elder (Italian, 1689-1767)
Man with a Long Pigtail and a Stick, Standing in Profile to the Left

Man with a Long Pigtail and a Stick, Standing in Profile to the Left (early–mid-18th century)

Anton Maria Zanetti the Elder (Italian, 1689-1767)
St. Andrew

St. Andrew

Anton Maria Zanetti the Elder (Italian, 1689-1767)
Landscape with a Town in the Distance

Landscape with a Town in the Distance (1680–1767)

Anton Maria Zanetti the Elder (Italian, 1689-1767)
Landscape with a Town by a River

Landscape with a Town by a River (1680–1767)

Anton Maria Zanetti the Elder (Italian, 1689-1767)
God Appearing to Isaac

God Appearing to Isaac (1723)

Anton Maria Zanetti the Elder (Italian, 1689-1767)
Eneas Carrying Anchises, his Father, from the Burning of Troy

Eneas Carrying Anchises, his Father, from the Burning of Troy (1723)

Anton Maria Zanetti the Elder (Italian, 1689-1767)
Saint Paul and Three Other Standing Figures

Saint Paul and Three Other Standing Figures (18th century)

Anton Maria Zanetti the Elder (Italian, 1689-1767)

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