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William Heath - An amateur of fashion

An amateur of fashion (1813)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1840 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.

Heath was born in Northumberland, England. His early works often dealt with military scenes, including colour plates for The Martial Achievements, The Wars of Wellington, etc., but from about 1820 on he focused on satire.

Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever".

Heath helped found an early caricature magazine, The Glasgow Looking Glass (renamed to The Northern Looking Glass after five issues). Heath created a numbered series of political caricatures between 1830 and 1834 for McLean's Monthly.

He died in Hampstead and was buried on the western side of Highgate Cemetery. His grave (no.124) no longer has a headstone or any identifying marker. The British Museum catalogue has over 160 works by Heath.

More Artworks by William Heath (View all 151 Artworks)

The exile restored or the spies spawns & spewers of scurrility abuse & defamation set to work.

The exile restored or the spies spawns & spewers of scurrility abuse & defamation set to work. (1820)

William Heath (English, 1794-1840)
Cribbage

Cribbage (1827-1829)

William Heath (English, 1794-1840)
A sketch of the row in Parliament Street.

A sketch of the row in Parliament Street. (1829)

William Heath (English, 1794-1840)
No genius

No genius

William Heath (English, 1794-1840)
Multum in Parvo

Multum in Parvo (1827-1829)

William Heath (English, 1794-1840)
Above bridge no. 1. Modern aquatics.

Above bridge no. 1. Modern aquatics. (1829)

William Heath (English, 1794-1840)
Contrasts, pl. 1st. Ancient and modern lancers.

Contrasts, pl. 1st. Ancient and modern lancers. (1828)

William Heath (English, 1794-1840)
The steam boat

The steam boat (1827-1829)

William Heath (English, 1794-1840)
The Beau Monde

The Beau Monde (1827-1829)

William Heath (English, 1794-1840)
Come, move on there – it’s time you was in bed, young woman. Any body with half an eye could see you were in liquor.

Come, move on there – it’s time you was in bed, young woman. Any body with half an eye could see you were in liquor. (1830)

William Heath (English, 1794-1840)
A trifling misunderstanding or a military tea party. Effects of a field education.

A trifling misunderstanding or a military tea party. Effects of a field education.

William Heath (English, 1794-1840)
Old Nic the covey wot drives the Bexley van.

Old Nic the covey wot drives the Bexley van. (1829)

William Heath (English, 1794-1840)
French salutation. English salutation.

French salutation. English salutation. (1829)

William Heath (English, 1794-1840)
A frolic at the Melon Shop in Piccadilly.

A frolic at the Melon Shop in Piccadilly. (1826)

William Heath (English, 1794-1840)
You dropp’d this here thingumbob marm

You dropp’d this here thingumbob marm (1827-1829)

William Heath (English, 1794-1840)
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