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Yoshida Hiroshi - Amurissaa (Golden Temple in Amritsar)

Amurissaa (Golden Temple in Amritsar) (1931)

Yoshida Hiroshi (Japanese, 1876-1950)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1950 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Yoshida Hiroshi

Hiroshi Yoshida was a 20th-century Japanese painter and woodblock printmaker. He is regarded as one of the greatest artists of the shin-hanga style, and is noted especially for his excellent landscape prints. Yoshida travelled widely, and was particularly known for his images of non-Japanese subjects done in traditional Japanese woodblock style, including the Taj Mahal, the Swiss Alps, the Grand Canyon, and other National Parks in the United States.

Hiroshi Yoshida (born Hiroshi Ueda) was born in the city of Kurume, Fukuoka, in Kyushu, on September 19, 1876. He showed an early aptitude for art fostered by his adoptive father, a teacher of painting in the public schools. At age 19 he was sent to Kyoto to study under Tamura Shoryu, a well known teacher of western style painting. He then studied under Koyama Shōtarō, in Tokyo, for another three years.

In 1899, Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art). He then traveled to Boston, Washington, D.C., Providence and Europe. In 1920, Yoshida presented his first woodcut at the Watanabe Print Workshop, organized by Watanabe Shōzaburō (1885–1962), publisher and advocate of the shin-hanga movement. However, Yoshida's collaboration with Watanabe was short partly due to Watanabe's shop burning down because of the Great Kanto earthquake on September 1, 1923.

In 1925, he hired a group of professional carvers and printers, and established his own studio. Prints were made under his close supervision. Yoshida combined the ukiyo-e collaborative system with the sōsaku-hanga principle of "artist's prints", and formed a third school, separating himself from the shin-hanga and sōsaku-hanga movement. His art is used all around the world, wanting to inspire young artists to follow their hearts and to teach them that they should do what they'd like, even if nobody else in the room agrees. Hiroshi's art is used with clear credit to his name, and a small summary about his life.

At the age of 73, Yoshida took his last sketching trip to Izu and Nagaoka and painted his last works The Sea of Western Izu and The Mountains of Izu. He became sick on the trip and returned to Tokyo where he died April 5, 1950 at his home. His tomb is in the grounds of the Ryuun-in, in Koishikawa, Tokyo.

Hiroshi Yoshida was trained in the Western oil painting tradition, which was adopted in Japan during the Meiji period. Yoshida often used the same blocks and varied the colour to suggest different moods. The best example of such is Sailing Boats in 1921.

Yoshida's extensive travel and acquaintance with Americans influenced his art considerably. In 1931 a series of prints depicting scenes from India, Pakistan, Afghanistan, and Singapore was published. Six of these were views of the Taj Mahal in different moods and colors.

More Artworks by Yoshida Hiroshi (View all 73 Artworks)

Sancho Kengamine (The summit of Kengamine)

Sancho Kengamine (The summit of Kengamine) (1928)

Yoshida Hiroshi (Japanese, 1876-1950)
Soshu (Suzhou)

Soshu (Suzhou) (1940)

Yoshida Hiroshi (Japanese, 1876-1950)
Eight Scenes of Cherry Blossoms; Spring Rain (Sakura hachidai; Harusame)

Eight Scenes of Cherry Blossoms; Spring Rain (Sakura hachidai; Harusame) (1935)

Yoshida Hiroshi (Japanese, 1876-1950)
Yungufurau-yama (Jungfrau)

Yungufurau-yama (Jungfrau) (1925)

Yoshida Hiroshi (Japanese, 1876-1950)
Fuwatepuuru Shikuri (A Window in Fatehpur-Sikri)

Fuwatepuuru Shikuri (A Window in Fatehpur-Sikri) (1931)

Yoshida Hiroshi (Japanese, 1876-1950)
Kame to koi (Carp and tortoise)

Kame to koi (Carp and tortoise) (1940)

Yoshida Hiroshi (Japanese, 1876-1950)
Soshu (Suzhou)

Soshu (Suzhou) (1940)

Yoshida Hiroshi (Japanese, 1876-1950)
Child

Child (1927)

Yoshida Hiroshi (Japanese, 1876-1950)
Waterfall

Waterfall (1924)

Yoshida Hiroshi (Japanese, 1876-1950)
Asahi (Sunrise).

Asahi (Sunrise). (1926)

Yoshida Hiroshi (Japanese, 1876-1950)
Omuro

Omuro (1940)

Yoshida Hiroshi (Japanese, 1876-1950)
Daibutsu sanmon

Daibutsu sanmon (1940)

Yoshida Hiroshi (Japanese, 1876-1950)
Hansen (Sailing Boats)

Hansen (Sailing Boats) (circa 1921)

Yoshida Hiroshi (Japanese, 1876-1950)
Landscape

Landscape

Yoshida Hiroshi (Japanese, 1876-1950)
Ancient Ruins of Athens (Acropolis — Night)

Ancient Ruins of Athens (Acropolis — Night) (1925)

Yoshida Hiroshi (Japanese, 1876-1950)
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View all 73 Artworks

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