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Paul Gavarni - Allons bien Voilà que je descends pour ma provision de bois et que je ne prends pas de monnaie à présent

Allons bien Voilà que je descends pour ma provision de bois et que je ne prends pas de monnaie à présent

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

N’est-ce pas, Maman, que le petit peigne à moustaches, que Cornelie a trouvé ce matin dans ta chambre, c’est pour moi

N’est-ce pas, Maman, que le petit peigne à moustaches, que Cornelie a trouvé ce matin dans ta chambre, c’est pour moi (1838-1840)

Paul Gavarni (French, 1804-1866)
Le Débardeur – Ne me parlez pas des femmes en Carnaval pour s’amuser

Le Débardeur – Ne me parlez pas des femmes en Carnaval pour s’amuser (1840)

Paul Gavarni (French, 1804-1866)
Mosieu j’suis Cocardeau

Mosieu j’suis Cocardeau (1838-1840)

Paul Gavarni (French, 1804-1866)
N’y a pas moyen Mossieu est là avec Mossieu Machinikof sic

N’y a pas moyen Mossieu est là avec Mossieu Machinikof sic

Paul Gavarni (French, 1804-1866)
Reverie

Reverie

Paul Gavarni (French, 1804-1866)
Est-ce aussi votre tuteur qui laisse des épingles noires sur votre oreiller

Est-ce aussi votre tuteur qui laisse des épingles noires sur votre oreiller (1839-1841)

Paul Gavarni (French, 1804-1866)
From nature; You’re going to play checkers with Dachu! And.

From nature; You’re going to play checkers with Dachu! And. (1857)

Paul Gavarni (French, 1804-1866)
Malheureuse tu feras la honte de ton sexe et le desespoir du mien

Malheureuse tu feras la honte de ton sexe et le desespoir du mien (1840)

Paul Gavarni (French, 1804-1866)
Que tu es donc godiche, Tomon. puisque tu vas faire banqueroute, bête

Que tu es donc godiche, Tomon. puisque tu vas faire banqueroute, bête (1838-1840)

Paul Gavarni (French, 1804-1866)
Masks and faces, 5; Sharers, You have never in my life given me anything but a little dog . . .

Masks and faces, 5; Sharers, You have never in my life given me anything but a little dog . . . (1852)

Paul Gavarni (French, 1804-1866)
Ecoutez Juliette Boudin m’a tout conté.

Ecoutez Juliette Boudin m’a tout conté. (1840-1841)

Paul Gavarni (French, 1804-1866)
Amanda. L’Ecuyer

Amanda. L’Ecuyer (1840)

Paul Gavarni (French, 1804-1866)
Que diable Mon neuveu, il est bon d’être ambitieux mais on ne peut pas toujours travailler aussi A la campagne on s’

Que diable Mon neuveu, il est bon d’être ambitieux mais on ne peut pas toujours travailler aussi A la campagne on s’ (1839-1841)

Paul Gavarni (French, 1804-1866)
Ô l’amour d’une femme Ô ineffable chose

Ô l’amour d’une femme Ô ineffable chose (1839-1841)

Paul Gavarni (French, 1804-1866)
Voilà deux fois que vous rentrez à minuit cette semaine. T’est bête

Voilà deux fois que vous rentrez à minuit cette semaine. T’est bête (1840)

Paul Gavarni (French, 1804-1866)
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