Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
Salvator Rosa - Allegory of Fortune

Allegory of Fortune (About 1658–1659)

Salvator Rosa (Italian, 1615-1673)
Facebook Twitter Pinterest
Favourite
Collect

Standard, 1182 x 1800px JPG, Size: 1.87 MB

Download

Max Size, 10803 x 16456px JPG, Size: 139.23 MB

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1673 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Salvator Rosa

Salvator Rosa was an Italian Baroque painter, poet, and printmaker, who was active in Naples, Rome, and Florence. As a painter, he has been described as "unorthodox and extravagant" as well as being a "perpetual rebel" and a proto-Romantic.

Rosa was born in Arenella, at that time in the outskirts of Naples, on either June 20 or July 21, 1615. His mother was Giulia Greca Rosa, a member of one of the Greek families of Sicily. His father, Vito Antonio de Rosa, a land surveyor, urged his son to become a lawyer or a priest, and entered him into the convent of the Somaschi Fathers. Yet Salvator showed a preference for the arts and secretly worked with his maternal uncle Paolo Greco to learn about painting. He soon transferred himself to the tutelage of his brother-in-law Francesco Fracanzano, a pupil of Ribera, and afterward to either Aniello Falcone, a contemporary of Domenico Gargiulo, or to Ribera.

During Rosa's lifetime his work inspired followers such as Giovanni Ghisolfi, but his most lasting influence was on the later development of romantic and picturesque traditions within painting. Eighteenth-century artists influenced by Rosa include Alessandro Magnasco, Andrea Locatelli, Giovanni Paolo Panini and Marco Ricci. As Wittkower states, it is in his landscapes, not his grand historical or religious dramas, that Rosa truly expresses his innovative abilities most graphically.

Rosa's reputation and influence waned in the nineteenth century; when his Monks Fishing was displayed in Dulwich in 1843 it was criticized by John Ruskin as telling "unmitigated falsehoods" and containing "laws of nature set at open defiance". Since the 1960s, Rosa's work has received renewed attention from scholars.

More Artworks by Salvator Rosa (View all 162 Artworks)

Peasant with Staff

Peasant with Staff (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Glaucus and Scylla

Glaucus and Scylla (circa 1661)

Salvator Rosa (Italian, 1615-1673)
In Vulcan’s smithy

In Vulcan’s smithy

Salvator Rosa (Italian, 1615-1673)
Self-Portrait

Self-Portrait (ca. 1647)

Salvator Rosa (Italian, 1615-1673)
Nude in Contemplation, Seated on a Rocky Ledge

Nude in Contemplation, Seated on a Rocky Ledge (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
The Finding of Moses

The Finding of Moses (ca. between 1660 and 1665)

Salvator Rosa (Italian, 1615-1673)
Drawings of Classical Figures

Drawings of Classical Figures (mid-17th century)

Salvator Rosa (Italian, 1615-1673)
Landscape with Bathers

Landscape with Bathers (ca. 1660)

Salvator Rosa (Italian, 1615-1673)
Three Men in Conversation

Three Men in Conversation (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Oriental in Turban, Seen from Behind, with Two Women

Oriental in Turban, Seen from Behind, with Two Women (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Witches’ Sabbath

Witches’ Sabbath (1640–1649)

Salvator Rosa (Italian, 1615-1673)
Soldier, Standing, Looking at the Ground

Soldier, Standing, Looking at the Ground (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Study for a Judgment of Paris and Other Figure Studies

Study for a Judgment of Paris and Other Figure Studies (1615–73)

Salvator Rosa (Italian, 1615-1673)
Three Soldiers, One Seated on a Square Block of Stone 2

Three Soldiers, One Seated on a Square Block of Stone 2 (1656 - 1657)

Salvator Rosa (Italian, 1615-1673)
Scenes of Witchcraft, Evening

Scenes of Witchcraft, Evening (c. 1645-1649)

Salvator Rosa (Italian, 1615-1673)
Load MoreLoading...
View all 162 Artworks

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Illustration
    • Posters
    • Religion
    • Mythology
    • Drawings
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro