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Giovanni Domenico Tiepolo - Allegorical Figure Representing America

Allegorical Figure Representing America

Giovanni Domenico Tiepolo (Italian, 1727-1804)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1804 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Giovanni Domenico Tiepolo

Giovanni Domenico Tiepolo was an Italian painter and printmaker in etching. He was the son of artist Giovanni Battista Tiepolo and elder brother of Lorenzo Baldissera Tiepolo.

Domenico was born in Venice, studied under his father, and by the age of 13 was the chief assistant to him. He was one of the many assistants, including Lorenzo, who transferred the designs of his father (executed in the 'oil sketch' invented by the same).
By the age of 20, he was producing his own work for commissioners. He assisted his father in Würzburg 1751-3, decorating the famous stairwell fresco, in Vicenza at the Villa Valmarana in 1757, and in Madrid at the palace of Charles III from 1762-70.

His painting style developed after the death of his father in 1770, at which time he returned to Venice, and worked there as well as in Genoa and Padua. His painting, though keeping the decorative influence of his father, moved from its spatial fancy and began to take a more realistic depiction. His portraits and scenes of life in Venice are characterised by movement, colour, and deliberate composition.

More Artworks by Giovanni Domenico Tiepolo (View all 221 Artworks)

The Lamentation At The Foot Of The Cross

The Lamentation At The Foot Of The Cross

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Christ at Supper with Simon the Pharisee, with the Anointment of Christ’s Feet by Mary Magdalen

Christ at Supper with Simon the Pharisee, with the Anointment of Christ’s Feet by Mary Magdalen (1785)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Meleager, Turning to the Left

Meleager, Turning to the Left (mid-18th–early 19th century)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Joseph Pausing to Gaze at the Infant Christ

Joseph Pausing to Gaze at the Infant Christ (1750–1753)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Flora And zephyr

Flora And zephyr (Ca. 1760)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Figures Fluviales

Figures Fluviales (late 1700s)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Turkish Lancer and Onlookers Approaching a Town

Turkish Lancer and Onlookers Approaching a Town (1760–70)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Martyrdom of St. Stephen

Martyrdom of St. Stephen (c. 1750s)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground)

The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground) (ca. 1770–90)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
The Cattle Vendor

The Cattle Vendor (1790s)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Punchinello Retrieving Dead Fowls from a Well

Punchinello Retrieving Dead Fowls from a Well (late 18th–early 19th century)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Cupid Blindfolded in the Clouds, with Five Attendant Putti

Cupid Blindfolded in the Clouds, with Five Attendant Putti (ca. 1770–90)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
A Boar, Galloping to the Left, and a Sleeping Sow (on the Base)

A Boar, Galloping to the Left, and a Sleeping Sow (on the Base) (mid-18th–early 19th century)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
The Holy Family Arriving at the Bank of the River

The Holy Family Arriving at the Bank of the River (1750–1753)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Cattle in a Landscape

Cattle in a Landscape (mid-18th–early 19th century)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
View all 221 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
Why is this image in the public domain?
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