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Paul Gavarni - Adieu mon bon homme Je te laisse ma pipe et ma femme

Adieu mon bon homme Je te laisse ma pipe et ma femme (1839-1841)

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Allez au bal de l’opéra avec Madame de Coquardeau. quelqu’aveugle qu’elle soit, une noblesse qui, songez-y-bien

Allez au bal de l’opéra avec Madame de Coquardeau. quelqu’aveugle qu’elle soit, une noblesse qui, songez-y-bien (1840)

Paul Gavarni (French, 1804-1866)
Pauvre Elvire, emportée aux flots du bal Musard, Où tu cherchais Don Juan, tu trouves Chicandard

Pauvre Elvire, emportée aux flots du bal Musard, Où tu cherchais Don Juan, tu trouves Chicandard (1840)

Paul Gavarni (French, 1804-1866)
Voilà mon petit Emile qui venait diner avec moi

Voilà mon petit Emile qui venait diner avec moi

Paul Gavarni (French, 1804-1866)
C’est moi – C’est moi. – Elle me fait l’oeil

C’est moi – C’est moi. – Elle me fait l’oeil (1839-1841)

Paul Gavarni (French, 1804-1866)
Pas moyen C’est une femme invisible à l’oeil nu

Pas moyen C’est une femme invisible à l’oeil nu

Paul Gavarni (French, 1804-1866)
Le même jour machère Me laisser siffler deux hommes, deux Dont un que j’idolâtrais

Le même jour machère Me laisser siffler deux hommes, deux Dont un que j’idolâtrais

Paul Gavarni (French, 1804-1866)
Les femmes donnent au diable les romans

Les femmes donnent au diable les romans (1839)

Paul Gavarni (French, 1804-1866)
Essaie un peu de ne pas me mener à tous les jugements, quand tu seras Procureur du roi, et tu verras

Essaie un peu de ne pas me mener à tous les jugements, quand tu seras Procureur du roi, et tu verras (1839-1841)

Paul Gavarni (French, 1804-1866)
Maman va venir, pas tout de suite elle est avec Madame Pelet. moi j’en ai pas

Maman va venir, pas tout de suite elle est avec Madame Pelet. moi j’en ai pas (1838-1840)

Paul Gavarni (French, 1804-1866)
Bel ange vos cigares sont bons, mais je les trouve durs

Bel ange vos cigares sont bons, mais je les trouve durs

Paul Gavarni (French, 1804-1866)
Moi, j’ai été mariée à Saint-Leu

Moi, j’ai été mariée à Saint-Leu (circa 1861-1862)

Paul Gavarni (French, 1804-1866)
Mistress W. G.

Mistress W. G. (1857)

Paul Gavarni (French, 1804-1866)
Qu’est ce que c’est donc que ce bacchanal-là

Qu’est ce que c’est donc que ce bacchanal-là

Paul Gavarni (French, 1804-1866)
Mosieu, on ne peut pas voir papa, il est en train de faire faillite

Mosieu, on ne peut pas voir papa, il est en train de faire faillite (1838-1840)

Paul Gavarni (French, 1804-1866)
Je t’avertis, Milord.si tu dines demain avec cette andalouse-làn c’est moi qui vous tremperai la soupe

Je t’avertis, Milord.si tu dines demain avec cette andalouse-làn c’est moi qui vous tremperai la soupe (1840)

Paul Gavarni (French, 1804-1866)
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