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William Heath - A Wellington boot – or head of the army.

A Wellington boot – or head of the army. (1827)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1840 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.

Heath was born in Northumberland, England. His early works often dealt with military scenes, including colour plates for The Martial Achievements, The Wars of Wellington, etc., but from about 1820 on he focused on satire.

Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever".

Heath helped found an early caricature magazine, The Glasgow Looking Glass (renamed to The Northern Looking Glass after five issues). Heath created a numbered series of political caricatures between 1830 and 1834 for McLean's Monthly.

He died in Hampstead and was buried on the western side of Highgate Cemetery. His grave (no.124) no longer has a headstone or any identifying marker. The British Museum catalogue has over 160 works by Heath.

In Collection: British Cartoons (View all 1227)

A point of law.

A point of law.

William Heath (English, 1794-1840)
The political butcher or Spain cutting up Buonaparte, for the benefit of ther neighbours

The political butcher or Spain cutting up Buonaparte, for the benefit of ther neighbours (1808)

Thomas Rowlandson (English, 1756-1827)
The carter and the gipsies

The carter and the gipsies (1818)

Thomas Rowlandson (English, 1756-1827)
Miseries personal; After dinner when the ladies retire with you from a party of very pleasant men . . .

Miseries personal; After dinner when the ladies retire with you from a party of very pleasant men . . . (1807)

Thomas Rowlandson (English, 1756-1827)
Water engine, Cold-Bath-Field’s Prison, London

Water engine, Cold-Bath-Field’s Prison, London (1808)

Thomas Rowlandson (English, 1756-1827)
Englishmen in November. Frenchmen in November

Englishmen in November. Frenchmen in November (1788)

Thomas Rowlandson (English, 1756-1827)
A near guess

A near guess (1823)

Richard Dighton (English, 1795-1880)
Exchange no robbery. Sketches of Irish character.

Exchange no robbery. Sketches of Irish character.

William Heath (English, 1794-1840)
Snip Anglois.

Snip Anglois. (1773)

Henry William Bunbury (English, 1750-1811)
The managers last kick, or a new way to pay old debts

The managers last kick, or a new way to pay old debts

Thomas Rowlandson (English, 1756-1827)
The speech

The speech (1829)

William Heath (English, 1794-1840)
No genius

No genius

William Heath (English, 1794-1840)
The specious orator

The specious orator (1794)

Robert Dighton (English, 1751-1814)
The political libertines, or motion upon motion.

The political libertines, or motion upon motion. (1741)

George Bickham
View of the Observatory. Oxford

View of the Observatory. Oxford (1810)

Thomas Rowlandson (English, 1756-1827)
View all 1227 Artworks

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