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Utagawa Kunisada (Toyokuni III) - A View of the Large New Room at Sakurai

A View of the Large New Room at Sakurai (early or mid 1830s)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1865 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Utagawa Kunisada (Toyokuni III)

Utagawa Kunisada, also known as Utagawa Toyokuni III (三代 歌川 豊国 Sandai Utagawa Toyokuni), was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi.

At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to their works as "decadent".

Beginning in the 1930s and 1970s, respectively, the works of Hiroshige and Kuniyoshi were submitted to a re-evaluation, and these two are now counted among the masters of their art. Thus, from Kunisada alone was withheld, for a long time, the acknowledgment which is due to him. With a few exceptions, such as actor portraits (yakusha-e) and portraits of beautiful women (bijin-ga), at the beginning of his career, and some series of large-size actor head-portraits near the end, it was thought that he had produced only inferior works. It was not until the early 1990s, with the appearance of Jan van Doesburg's overview of the artistic development of Kunisada, and Sebastian Izzard's extensive study of his work, that this picture began to change, with Kunisada more clearly revealed as one of the "giants" of the Japanese print that he was.

More Artworks by Utagawa Kunisada (Toyokuni III) (View all 197 Artworks)

Act IX; Oishi Disguises Yuranosuke as a Komusō (Flute-Playing Monk); Oishi Attacks Honzō for Having Brought about Enya’s Demise

Act IX; Oishi Disguises Yuranosuke as a Komusō (Flute-Playing Monk); Oishi Attacks Honzō for Having Brought about Enya’s Demise (circa 1835)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
The Actor Ichikawa Danjuro in a Plaid Costume

The Actor Ichikawa Danjuro in a Plaid Costume (ca. 1850)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Night Visage of the Flower Genji

Night Visage of the Flower Genji (1861)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Actors in the Roles of Ohatsu and Iwafuji

Actors in the Roles of Ohatsu and Iwafuji (ca. 1840)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
The Futabatei Restaurant; Actor Ichikawa Shinsha I as Aoi no mae

The Futabatei Restaurant; Actor Ichikawa Shinsha I as Aoi no mae (1853)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Print

Print

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Ni Brigade, First Group; Ryōgoku Bridge; Actor Ichikawa Danjūrō VIII as Yokoyama no Yosaburō

Ni Brigade, First Group; Ryōgoku Bridge; Actor Ichikawa Danjūrō VIII as Yokoyama no Yosaburō (1863)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Seated Woman Washing Clothes in a Wooden Tub

Seated Woman Washing Clothes in a Wooden Tub (1786-1864)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Watōnai Capturing a Tiger

Watōnai Capturing a Tiger (circa 1830s)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Portrait of Minister of the Right, Michizane (Udaijin Michizane Kô)

Portrait of Minister of the Right, Michizane (Udaijin Michizane Kô) (ca. 1807–1810)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Eight Figural Views (Sugata Hakkei) Pl.2

Eight Figural Views (Sugata Hakkei) Pl.2 (1850)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
The Seventh Month

The Seventh Month (circa 1830s)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Woman Bucking Autumn Wind

Woman Bucking Autumn Wind (1786-1864)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
Act XI, End; The Rōnin Paying Homage to the Tomb of Enya at the Temple Sengakuji, Having Brought the Head of Moronao as an offering.

Act XI, End; The Rōnin Paying Homage to the Tomb of Enya at the Temple Sengakuji, Having Brought the Head of Moronao as an offering. (circa 1835)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
The Actor Bandō Hikosaburō V as the Wrestler Onigatake

The Actor Bandō Hikosaburō V as the Wrestler Onigatake (1861)

Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)
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