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George Chinnery - A street scene in Macau with two figures playing a game

A street scene in Macau with two figures playing a game

George Chinnery (English, 1774 - 1852)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1852 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
George Chinnery

George Chinnery was an English painter who spent most of his life in Asia, especially India and southern China.

Chinnery was born in London, where he studied at the Royal Academy Schools. His father was an exponent of the Gurney system of shorthand; his elder brother William Chinnery owned what is now Gilwell Park in Epping Forest in Essex, before he was discovered to have committed large-scale fraud, and fled to Sweden. George Chinnery moved in 1796 to Ireland, where he enjoyed some success as an artist, and married Marianne (née Vigne) on 19 April 1799 in Dublin.

Chinnery returned to London in 1801 without his wife and two infant children. In 1802 he sailed to Madras (Chennai) on the ship Gilwell. He established himself as a painter there and then in Calcutta (Kolkata), where he became the leading artist of the British community in India.

By 1813 Chinnery was a freemason, listed as a member of Calcutta's well-to-do masonic lodge Star in the East. This was one of three masonic lodges in that city which took part in the official welcome for Lord Moira (1754-1826), also a freemason, on his arrival there (1813) as the new Governor-General of India. Chinnery's masonic career is otherwise little documented, and its connection with his artistic output unexplored.

Some of his most famous paintings are of the Indian family of Colonel James Achilles Kirkpatrick British Resident to the Nizam of Hyderabad who had set up home, to some scandal among his fellow Europeans, with the Indo-Iranian great niece of the Nizam of Hyderabad's chief minister. He painted The Kirkpatrick Children presenting them " [with a] sympathy that is rare in portraiture of the period; the boy looking straight at the viewer with a self-conscious stance, hand on hip, while the girl looks uncomfortably at the floor." Mounting debt prompted a move in 1825 to southern China.

From 1825 until his death in 1852 Chinnery based himself in Macau, but until 1832 he made regular visits to Canton (now Guangzhou). He painted portraits of Chinese and Western merchants, visiting sea-captains, and their families resident in Macau. His work in oil paint was closely imitated by the Cantonese artist Lam Qua, who himself became a renowned portrait painter. Chinnery also painted landscapes (both in oils and in watercolours), and made numerous drawings of the people of Macau engaged in their daily activities.

In 1846 he made a six-month visit to Hong Kong, where he suffered from ill health but made detailed studies of the newly founded colony. He died in Macau on 30 May 1852 and is buried in the Old Protestant Cemetery there.

More Artworks by George Chinnery (View all 116 Artworks)

Cattle Resting in a Mountainous Landscape

Cattle Resting in a Mountainous Landscape (ca. 1808–12)

George Chinnery (English, 1774 - 1852)
Miss Louisa Georgiana Murray

Miss Louisa Georgiana Murray (after 1826)

George Chinnery (English, 1774 - 1852)
Gilbert Elliot, 1st Earl of Minto (1751-1814), Viceroy of British India and Governor General of the Dutch East Indies (1812-14)

Gilbert Elliot, 1st Earl of Minto (1751-1814), Viceroy of British India and Governor General of the Dutch East Indies (1812-14) (1812 - 1847)

George Chinnery (English, 1774 - 1852)
PORTRAIT OF A GENTLEMAN

PORTRAIT OF A GENTLEMAN

George Chinnery (English, 1774 - 1852)
Chinese Boats

Chinese Boats (1834)

George Chinnery (English, 1774 - 1852)
Portrait of a gentleman wearing a brown coat and red cravat

Portrait of a gentleman wearing a brown coat and red cravat

George Chinnery (English, 1774 - 1852)
Illustration to Fielding’s Amelia

Illustration to Fielding’s Amelia

George Chinnery (English, 1774 - 1852)
Peasant Seated by a Doorway

Peasant Seated by a Doorway (1842)

George Chinnery (English, 1774 - 1852)
Portrait of a Man

Portrait of a Man (between 1795 and 1805)

George Chinnery (English, 1774 - 1852)
Old Man Leaning on a Stick

Old Man Leaning on a Stick

George Chinnery (English, 1774 - 1852)
Ruined mausoleum in North India

Ruined mausoleum in North India

George Chinnery (English, 1774 - 1852)
Ruins of a Temple, Sunset

Ruins of a Temple, Sunset

George Chinnery (English, 1774 - 1852)
Three studies of a Chinese barber

Three studies of a Chinese barber (1840)

George Chinnery (English, 1774 - 1852)
Self Portrait

Self Portrait (1848)

George Chinnery (English, 1774 - 1852)
A Chinese Junk

A Chinese Junk

George Chinnery (English, 1774 - 1852)
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