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François Boucher - A standing boy, with a reclining boy behind him

A standing boy, with a reclining boy behind him

François Boucher (French, 1703-1770)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1770 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
François Boucher

François Boucher was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century.

A native of Paris, Boucher was the son of a lesser known painter Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter François Lemoyne. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver Jean-François Cars.

In 1720, he won the elite Grand Prix de Rome for painting, but did not take up the consequential opportunity to study in Italy until five years later, due to financial problems at the Académie royale de peinture et de sculpture. On his return from studying in Italy he was admitted to the refounded Académie de peinture et de sculpture on 24 November 1731. His morceau de réception (reception piece) was his Rinaldo and Armida of 1734.

Boucher married Marie-Jeanne Buzeau in 1733. The couple had three children together. Boucher became a faculty member in 1734 and his career accelerated from this point as he was promoted Professor then Rector of the Academy, becoming inspector at the Royal Gobelins Manufactory and finally Premier Peintre du Roi (First Painter of the King) in 1765.

Boucher died on 30 May 1770 in his native Paris. His name, along with that of his patron Madame de Pompadour, had become synonymous with the French Rococo style, leading the Goncourt brothers to write: "Boucher is one of those men who represent the taste of a century, who express, personify and embody it."

More Artworks by François Boucher (View all 275 Artworks)

The Departure of Jacob

The Departure of Jacob (c. 1755)

François Boucher (French, 1703-1770)
The Waterfalls of Tivoli

The Waterfalls of Tivoli (1730)

François Boucher (French, 1703-1770)
Une dame à sa toilette, also called La Mouche

Une dame à sa toilette, also called La Mouche

François Boucher (French, 1703-1770)
Madame Bergeret

Madame Bergeret (possibly 1766)

François Boucher (French, 1703-1770)
Livre d’étude d’après les desseins originaux de Blomart Pl.12

Livre d’étude d’après les desseins originaux de Blomart Pl.12 (1735)

François Boucher (French, 1703-1770)
Sancho Fleeing from the Servants of the Duke

Sancho Fleeing from the Servants of the Duke (1735-1736)

François Boucher (French, 1703-1770)
Antoine Watteau

Antoine Watteau (c. 1727)

François Boucher (French, 1703-1770)
Rodogune (Act V, Scene IV)

Rodogune (Act V, Scene IV)

François Boucher (French, 1703-1770)
Daphnis and Chloe

Daphnis and Chloe (1743)

François Boucher (French, 1703-1770)
Les trois Grâces et l’Amour

Les trois Grâces et l’Amour

François Boucher (French, 1703-1770)
Chinese Soldier

Chinese Soldier (1738–1745)

François Boucher (French, 1703-1770)
Seated Woman Holding a Fan

Seated Woman Holding a Fan

François Boucher (French, 1703-1770)
Figure studies

Figure studies (1735)

François Boucher (French, 1703-1770)
Saint John the Baptist

Saint John the Baptist (c. 1755)

François Boucher (French, 1703-1770)
La Leçon de musique

La Leçon de musique

François Boucher (French, 1703-1770)
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