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William Heath - A scene in Palace Yard. Leaving the House of Lords – through the assembled commons.

A scene in Palace Yard. Leaving the House of Lords – through the assembled commons. (1829)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1840 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.

Heath was born in Northumberland, England. His early works often dealt with military scenes, including colour plates for The Martial Achievements, The Wars of Wellington, etc., but from about 1820 on he focused on satire.

Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever".

Heath helped found an early caricature magazine, The Glasgow Looking Glass (renamed to The Northern Looking Glass after five issues). Heath created a numbered series of political caricatures between 1830 and 1834 for McLean's Monthly.

He died in Hampstead and was buried on the western side of Highgate Cemetery. His grave (no.124) no longer has a headstone or any identifying marker. The British Museum catalogue has over 160 works by Heath.

In Collection: British Cartoons (View all 1227)

House-breakers

House-breakers (1791)

Thomas Rowlandson (English, 1756-1827)
A view of Argyle.

A view of Argyle. (1823)

Richard Dighton (English, 1795-1880)
Three rooms on a floor or clerical comfort at an inn.

Three rooms on a floor or clerical comfort at an inn. (1814)

George Moutard Woodward (English, 1765-1809)
Don’t pull my nose so hard; curse it you take it for a sow’s ear.

Don’t pull my nose so hard; curse it you take it for a sow’s ear. (19th century)

Anonymous
A table D’hote, or French ordinary in Paris

A table D’hote, or French ordinary in Paris (1810)

Thomas Rowlandson (English, 1756-1827)
Hungry Rats in an Empty Barn

Hungry Rats in an Empty Barn (1806)

Charles Williams (English, ?-1830)
Fire at the inn — Perigrine rescues Emilia &c.

Fire at the inn — Perigrine rescues Emilia &c.

Thomas Rowlandson (English, 1756-1827)
We three, loggerheads be.

We three, loggerheads be. (1786)

Anonymous
The danger of Crim Con!.

The danger of Crim Con!. (1797)

George Moutard Woodward (English, 1765-1809)
Opera box with three women, one man

Opera box with three women, one man (1785)

Thomas Rowlandson (English, 1756-1827)
A new way of gaining admittance to a lady’s chamber

A new way of gaining admittance to a lady’s chamber (1827-1829)

William Heath (English, 1794-1840)
Such Things May Be, A Tale for Future Times

Such Things May Be, A Tale for Future Times (1788)

John Kirby Baldrey
A reminder.

A reminder.

John Leech (English, 1817-1864)
The bad archer.

The bad archer. (1791)

Anonymous
Miseries of high life; Briskly stooping to pick up a lady’s fan . . .

Miseries of high life; Briskly stooping to pick up a lady’s fan . . . (1808)

Thomas Rowlandson (English, 1756-1827)
View all 1227 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
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