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William Heath - A Russian dandy, a scene at Aix la Chappelle.

A Russian dandy, a scene at Aix la Chappelle. (1818)

William Heath (English, 1794-1840)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1840 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.

Heath was born in Northumberland, England. His early works often dealt with military scenes, including colour plates for The Martial Achievements, The Wars of Wellington, etc., but from about 1820 on he focused on satire.

Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever".

Heath helped found an early caricature magazine, The Glasgow Looking Glass (renamed to The Northern Looking Glass after five issues). Heath created a numbered series of political caricatures between 1830 and 1834 for McLean's Monthly.

He died in Hampstead and was buried on the western side of Highgate Cemetery. His grave (no.124) no longer has a headstone or any identifying marker. The British Museum catalogue has over 160 works by Heath.

In Collection: British Cartoons (View all 1227)

The landlady at your service sir

The landlady at your service sir (1827-1829)

William Heath (English, 1794-1840)
A discharg’d Fifer.

A discharg’d Fifer. (1821)

Richard Dighton (English, 1795-1880)
A view from the horse guards

A view from the horse guards (1817)

Richard Dighton (English, 1795-1880)
A scene in Palace Yard. Leaving the House of Lords – through the assembled commons.

A scene in Palace Yard. Leaving the House of Lords – through the assembled commons. (1829)

William Heath (English, 1794-1840)
The bassoon with a French horn accompanyment

The bassoon with a French horn accompanyment

Thomas Rowlandson (English, 1756-1827)
Stag at Bay; – Suggested by the Beautiful Picture of Edwin Landseer R.A., Esquire

Stag at Bay; – Suggested by the Beautiful Picture of Edwin Landseer R.A., Esquire (1846)

John Doyle (Irish, 1797 – 1868)
A Minuet Dancer !!

A Minuet Dancer !! (1799)

Thomas Rowlandson (English, 1756-1827)
A Whistler !!

A Whistler !! (1799)

Thomas Rowlandson (English, 1756-1827)
Secret influence directing the new p

Secret influence directing the new p (l _ t._1793)

Thomas Rowlandson (English, 1756-1827)
A brace of brimstones

A brace of brimstones (1806)

Thomas Rowlandson (English, 1756-1827)
Free trade – Westminster review – January, 1830 No. XXIII.

Free trade – Westminster review – January, 1830 No. XXIII. (1830)

William Heath (English, 1794-1840)
That’s the nattiest wig that ever was seen and so my wife said, and so all my customers have said, and it becomes you hugely.

That’s the nattiest wig that ever was seen and so my wife said, and so all my customers have said, and it becomes you hugely.

Anonymous
Barataria

Barataria (1789)

James Sayers (English, 1748 – 1823)
Omnibus race

Omnibus race (1840)

John Doyle (Irish, 1797 – 1868)
Miseries of travelling; Just as you are going off with only . . .

Miseries of travelling; Just as you are going off with only . . . (1807)

Thomas Rowlandson (English, 1756-1827)
View all 1227 Artworks

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License: All public domain files can be freely used for personal and commercial projects. .
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