Artvee
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Drawings
    • Illustration
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Books
  • Artists
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro
Login
Artvee
Menu
Henry Tresham - A Peasant of Mount Erix

A Peasant of Mount Erix (1783-1789)

Henry Tresham (Irish, 1750-1814)
Facebook Twitter Pinterest
Favourite
Collect

Standard, 1800 x 1447px JPG, Size: 1.94 MB

Download

Max Size, 4096 x 3293px JPG, Size: 9.36 MB

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1814 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

Henry Tresham RA was an Irish-born British historical painter active in London in the late 18th century. He spent some time in Rome early in his career, and was professor of painting at the Royal Academy of Arts in London from 1807 to 1809.

Henry Tresham was born in about 1751. He received his first art instruction from W. Ennis, a pupil of Robert West at the Dublin Art School.

He moved to England in 1775, but spent most of the next fourteen years in Rome. There he became a friend of the British painter, Thomas Jones and the artist and dealer, Gavin Hamilton. Like many other artists in Rome he also acted as a dealer, working with Gavin Hamilton and Thomas Jenkins, and negotiating sales of antiquities to Frederick Hervey and John Campbell. He also acted as an intermediary between Campbell and the sculptor, Antonio Canova: a pastel by Hugh Douglas Hamilton of Antonio Canova in his studio with Henry Tresham and a plaster model for Cupid and Psyche, showing a work commissioned by Campbell, is in the collection of the Victoria and Albert Museum, London.

Tresham returned to Britain in 1788. His reputation was gained primarily through large-scale history paintings, somewhat similar in style to those of Henry Fuseli. These were based on his travels to Rome.

In 1791 he was elected an Associate of the Royal Academy, and became a full Academician in 1799. Soon afterwards he was at the centre of a dispute over the running of the institution, having complained to the king that the law in the "Instrument of Institution" – its founding constitution – under which all its members were supposed to serve on its council in turn, was being ignored, and the vacancies balloted for instead. His appeal to the monarch was ultimately successful, and the practice of the rotation of the council members reinstated.

He was professor of painting at the Academy from 1807 to 1809. He was involved in several of the major history painting ventures of late 18th-century London, including Robert Bowyer's History Gallery, the Boydell Shakespeare Gallery and Thomas Macklin's Holy Bible.

He died in 1814.

More Artworks by Henry Tresham

The Ascent of Vesuvius

The Ascent of Vesuvius (1785-1790)

Henry Tresham (Irish, 1750-1814)
Study of a Centaur and a Satanic Figure

Study of a Centaur and a Satanic Figure (1783-1789)

Henry Tresham (Irish, 1750-1814)
Playing at Dice, Trepani

Playing at Dice, Trepani (between 1780 and 1790)

Henry Tresham (Irish, 1750-1814)
Anthony and Cleopatra, Act 3, Scene II

Anthony and Cleopatra, Act 3, Scene II (1794)

Henry Tresham (Irish, 1750-1814)
Ophelia vide Hamlet, Act 4, Scene VII

Ophelia vide Hamlet, Act 4, Scene VII (1794)

Henry Tresham (Irish, 1750-1814)
Psyche Giving Her Coin to Charon

Psyche Giving Her Coin to Charon (1796)

Henry Tresham (Irish, 1750-1814)
Troilus and Cressida, Act 4, Scene II

Troilus and Cressida, Act 4, Scene II (1794)

Henry Tresham (Irish, 1750-1814)
Troilus and Crssida, Act 3, Scene II

Troilus and Crssida, Act 3, Scene II (1794)

Henry Tresham (Irish, 1750-1814)
Remains of the Temple of Olypian Jove with a View of Ortygia, Syracuse

Remains of the Temple of Olypian Jove with a View of Ortygia, Syracuse

Henry Tresham (Irish, 1750-1814)
Antony and Cleopatra, Act I, Scene II

Antony and Cleopatra, Act I, Scene II (1794)

Henry Tresham (Irish, 1750-1814)
King Lear, Act 4, Scene VII

King Lear, Act 4, Scene VII (1794)

Henry Tresham (Irish, 1750-1814)
Brutus Disturbed By The Ghost Of Caesar, From Shakespeare’s Julius Caesar, Act Iv, Scene Iii

Brutus Disturbed By The Ghost Of Caesar, From Shakespeare’s Julius Caesar, Act Iv, Scene Iii

Henry Tresham (Irish, 1750-1814)
Portrait of a Man

Portrait of a Man (1780)

Henry Tresham (Irish, 1750-1814)

0 Artworks
Follow
Facebook Twitter Pinterest
Favourite
Collect

Standard, JPG, Size:

Download

Max Size, JPG, Size:

Download
License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
  • Terms
  • Privacy
  • Contact us
Artvee.com 2024 All Rights Reserved
We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
More info Accept
  • Sign in
  • Browse
    • Abstract
    • Figurative
    • Landscape
    • Religion
    • Mythology
    • Posters
    • Drawings
    • Illustration
    • Still Life
    • Animals
    • Botanical
    • Asian Art
  • Artists
  • Books
  • Explore
    • Topics
    • Culture
    • Movements
  • Highlights
  • Collections
  • Galleries
  • Artvee Pro