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James Sayers - A Noble Lord, on an Approching Peace, Too Busy to attend to the Expenditure of a Million of the Public Money

A Noble Lord, on an Approching Peace, Too Busy to attend to the Expenditure of a Million of the Public Money (1787)

James Sayers (English, 1748 – 1823)
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Why is this image in the public domain?
The Artist died in 1823 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
James Sayers

James Sayers (or Sayer) was an English caricaturist . Many of his works are described in the Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum which has an extensive holdings of his works collected at the time of original publication by Sarah Sophia Banks.

He was born at Great Yarmouth, Norfolk, the son of a merchant captain. He began as clerk in an attorney's office, and was for a time a member of the borough council. In 1780 his father's death provided him with a small fortune, and he went to London. As a political caricaturist he supported William Pitt the Younger. His plate of "Carlo Khan's triumphal entry into Leadenhall Street" was admitted by Charles James Fox, against whom it was directed, to have damaged his public image. Sayer was always at his best when attacking Fox, whose strong features he portrayed with remarkable power, always so as to make them convey expressions of defiant impudence or anger. Pitt, not known as a patron of the arts, provided Sayer with a place as marshal of the Exchequer court. He died in Curzon Street, Mayfair.

Sayer's "Carlo Khan" has been frequently reproduced. But he can only be judged with confidence after examining the collection in the British Museum, or other public libraries. His drawings, made originally with pencil on oil paper, were etched for him by the Brethertons ((James Bretherton, Charles Bretherton)). They were then sold in collections of the size of a large octavo copybook, under such titles as Illustrious Heads (1794) or Outlines of the Opposition (1795). Sayer left a complete gallery of small full-length pictures of the public men of his time, slightly caricatured. In his large plates he is inferior to James Gillray, and he never has the grace of Thomas Rowlandson, but he was closer to the truth than either.

He also wrote political propaganda as prose and verse The Foundling Chapel Brawl, Elijah's Mantle, All The Talent's Garland, Hints to J.Nollekens Esq

In Collection: British Cartoons (View all 1227)

The man wot guards the hopposition.

The man wot guards the hopposition. (1829)

Anonymous
A tailors wedding

A tailors wedding (1814)

Thomas Rowlandson (English, 1756-1827)
Do you please to have your bed warm’d sir

Do you please to have your bed warm’d sir (1827-1829)

William Heath (English, 1794-1840)
Fillial affection, or a trip to Gretna Green

Fillial affection, or a trip to Gretna Green (1782)

Thomas Rowlandson (English, 1756-1827)
The whole truth, or John Bull with his eyes opened.

The whole truth, or John Bull with his eyes opened. (1821)

Theodore Lane (English, 1800–1828)
Monopolisers Caught in Their Own Trap or a Companion to the Farmers Toast

Monopolisers Caught in Their Own Trap or a Companion to the Farmers Toast (1801)

Charles Williams (English, ?-1830)
Female gamblers in the pillory

Female gamblers in the pillory (1796)

Richard Newton (English, 1777 – 1798)
The visit.

The visit. (1799)

Thomas Rowlandson (English, 1756-1827)
Miseries of London, or a surley, saucy Hackney coachman

Miseries of London, or a surley, saucy Hackney coachman (1814)

Thomas Rowlandson (English, 1756-1827)
Much Ado About Nothing or Illustrations of Sayings Pl.2

Much Ado About Nothing or Illustrations of Sayings Pl.2 (1828)

John Phillips
A ghost in the wine cellar

A ghost in the wine cellar (1812)

Thomas Rowlandson (English, 1756-1827)
A view of Gloucester.

A view of Gloucester. (1821)

Richard Dighton (English, 1795-1880)
A stage coach

A stage coach

Thomas Rowlandson (English, 1756-1827)
Do stop that razor again, by G- I’d as soon be shav’d with a carving knife.

Do stop that razor again, by G- I’d as soon be shav’d with a carving knife. (19th century)

Anonymous
The Consular family on their last journey

The Consular family on their last journey (1804)

Thomas Rowlandson (English, 1756-1827)
View all 1227 Artworks

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