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Paul Gavarni - A la requête du sieur Vautour et caetera, en vertu et caetera nous Loyal et caetera, premièrement dans une pièce éclai

A la requête du sieur Vautour et caetera, en vertu et caetera nous Loyal et caetera, premièrement dans une pièce éclai

Paul Gavarni (French, 1804-1866)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1866 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Paul Gavarni

Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier, a French illustrator, born in Paris.

Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as a mechanical worker in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying and mapping which led to his obtaining a position with the Government Ordnance Department as a draughtsman. It wasn't until his early thirties that he turned his attention to his proper vocation as an artist.

His first published drawings were for the magazine Journal des modes.

At the time, Gavarni was barely thirty years of age. His sharp and witty drawings gave these generally commonplace and unartistic figures a life-likeness and an expression which soon won him a name in fashionable circles. He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde.

Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.

Most of his best work appeared in Le Charivari. He had been invited by the editor François Caboche to draw for the magazine. Gavarni had never drawn caricatures and was reluctant to accept the request but was persuaded to submit some drawings for approval. This he did and they were accepted but he didn't care for the captions which had been added by the magazine editors. Thereafter, he started writing his own. This was the beginning of the Boites aux lettres series.

Some of his most scathing and most earnest pictures, the fruit of a visit to London, appeared in L'Illustration. He also illustrated Honoré de Balzac's novels, and Eugène Sue's Wandering Jew.

More Artworks by Paul Gavarni (View all 395 Artworks)

Qu’est ce que c’est Tu nous dérange pour ça

Qu’est ce que c’est Tu nous dérange pour ça (1840)

Paul Gavarni (French, 1804-1866)
Le dernier quartier de la lune de miel

Le dernier quartier de la lune de miel (1839)

Paul Gavarni (French, 1804-1866)
Tais-toi, moutard, faut laisser jaser l’autorité

Tais-toi, moutard, faut laisser jaser l’autorité (1840)

Paul Gavarni (French, 1804-1866)
V’là un gueux de petit pékin qui se divertit au bal

V’là un gueux de petit pékin qui se divertit au bal (1840)

Paul Gavarni (French, 1804-1866)
Costume Study for Male Gypsy in ‘Zingaro’

Costume Study for Male Gypsy in ‘Zingaro’ (1840)

Paul Gavarni (French, 1804-1866)
Domino

Domino

Paul Gavarni (French, 1804-1866)
Ils t’ont dit de jouer tant que tu voudras dans la salle à manger et ta mère. t’a donné. quatre sous. malhe

Ils t’ont dit de jouer tant que tu voudras dans la salle à manger et ta mère. t’a donné. quatre sous. malhe (1838-1840)

Paul Gavarni (French, 1804-1866)
T’en es donc bien coiffée du petit

T’en es donc bien coiffée du petit

Paul Gavarni (French, 1804-1866)
Quand je vous disais que votre Agathe faisait des yeux à mon chenapan de Benjamin

Quand je vous disais que votre Agathe faisait des yeux à mon chenapan de Benjamin (1840-1841)

Paul Gavarni (French, 1804-1866)
Bal à la Renaissance ce soir, lache ton boulet

Bal à la Renaissance ce soir, lache ton boulet (1839-1841)

Paul Gavarni (French, 1804-1866)
Ô l’amour d’une femme Ô ineffable chose

Ô l’amour d’une femme Ô ineffable chose (1839-1841)

Paul Gavarni (French, 1804-1866)
Clara et ses amants

Clara et ses amants (1840)

Paul Gavarni (French, 1804-1866)
Représentation à bénéfice

Représentation à bénéfice

Paul Gavarni (French, 1804-1866)
Tu te respectes trop, n’est-ce pas Pour avoir une maîtresse à toi

Tu te respectes trop, n’est-ce pas Pour avoir une maîtresse à toi (1840-1841)

Paul Gavarni (French, 1804-1866)
Non Nini, je ne pourrais pas aller au bal de l’opéra ce soir. soyez gentille, vous savez que vous avez envie d’un m

Non Nini, je ne pourrais pas aller au bal de l’opéra ce soir. soyez gentille, vous savez que vous avez envie d’un m (1840)

Paul Gavarni (French, 1804-1866)
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