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James Seymour - A Hare Running, with Ears Laid Back

A Hare Running, with Ears Laid Back

James Seymour (English, 1697-1752)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1752 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

James Seymour was an English painter, widely recognized for his equestrian art.

Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period.

Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset. Jolliffe's love for horses and art proved great, and his will would later establish an equestrian statue in Hampshire. In time, Seymour's work and fame had spread throughout Europe and America.

Though ultimately his love for horseracing led to his financial ruin, Seymour still ranks among the most important early sporting artists, together with John Wootton and Peter Tillemans being considered one of the three founders of the sporting school.

More Artworks by James Seymour (View all 85 Artworks)

One of Four Portraits of Horses, a Chestnut Racehorse with Jockey Up- walking to the left; jockey i…

One of Four Portraits of Horses, a Chestnut Racehorse with Jockey Up- walking to the left; jockey i…

James Seymour (English, 1697-1752)
Racehorse at Exercise, Ridden by a Training-Groom.

Racehorse at Exercise, Ridden by a Training-Groom.

James Seymour (English, 1697-1752)
Victorious

Victorious

James Seymour (English, 1697-1752)
Rider With a Draw-Rein, Walking to Left

Rider With a Draw-Rein, Walking to Left

James Seymour (English, 1697-1752)
Sketch for Jumping the Gate

Sketch for Jumping the Gate

James Seymour (English, 1697-1752)
One of Four Portraits of Horses, a Chestnut Racehorse Exercised by a Trainer in a Red Coat- gallopi…

One of Four Portraits of Horses, a Chestnut Racehorse Exercised by a Trainer in a Red Coat- gallopi…

James Seymour (English, 1697-1752)
A Racehorse, Bridled and Saddled

A Racehorse, Bridled and Saddled

James Seymour (English, 1697-1752)
One of Four Portraits of Horses, a Chestnut Racehorse Exercised by a Trainer in a Blue Coat- gallop…

One of Four Portraits of Horses, a Chestnut Racehorse Exercised by a Trainer in a Blue Coat- gallop…

James Seymour (English, 1697-1752)
Saddled Horse, Walking to Left

Saddled Horse, Walking to Left

James Seymour (English, 1697-1752)
Mr. Thomas Panton’s Crab, A Grey Racehorse, Being Held By A Groom On Newmarket Heath

Mr. Thomas Panton’s Crab, A Grey Racehorse, Being Held By A Groom On Newmarket Heath (1752)

James Seymour (English, 1697-1752)
Rider in Armour

Rider in Armour

James Seymour (English, 1697-1752)
Saddled Horse, with a Crest Branded on His Flank, Walking to Right

Saddled Horse, with a Crest Branded on His Flank, Walking to Right

James Seymour (English, 1697-1752)
Flying Childers Galloping to Left; Bridled but not Saddled

Flying Childers Galloping to Left; Bridled but not Saddled

James Seymour (English, 1697-1752)
Two Horses Racing, Jockeys Up Railings in the Background

Two Horses Racing, Jockeys Up Railings in the Background

James Seymour (English, 1697-1752)
A Hare Running, with Ears Pricked

A Hare Running, with Ears Pricked

James Seymour (English, 1697-1752)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
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