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James Seymour - A Grey Racehorse With A Jockey Up Exercising On Newmarket Heath

A Grey Racehorse With A Jockey Up Exercising On Newmarket Heath

James Seymour (English, 1697-1752)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1752 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.

James Seymour was an English painter, widely recognized for his equestrian art.

Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period.

Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset. Jolliffe's love for horses and art proved great, and his will would later establish an equestrian statue in Hampshire. In time, Seymour's work and fame had spread throughout Europe and America.

Though ultimately his love for horseracing led to his financial ruin, Seymour still ranks among the most important early sporting artists, together with John Wootton and Peter Tillemans being considered one of the three founders of the sporting school.

More Artworks by James Seymour (View all 85 Artworks)

Two Saddled Horses in Stalls in a Stable

Two Saddled Horses in Stalls in a Stable

James Seymour (English, 1697-1752)
Rider in Armour

Rider in Armour

James Seymour (English, 1697-1752)
George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721

George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721 (1721)

James Seymour (English, 1697-1752)
Horse with Rider Wearing Tricorne Hat

Horse with Rider Wearing Tricorne Hat

James Seymour (English, 1697-1752)
Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter

Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter

James Seymour (English, 1697-1752)
Portrait of a Horseman

Portrait of a Horseman

James Seymour (English, 1697-1752)
Whitefoot at Exercise; Hooded and Rugged, Jockey up, Walking to Left

Whitefoot at Exercise; Hooded and Rugged, Jockey up, Walking to Left

James Seymour (English, 1697-1752)
Racehorse at Exercise, Ridden by a Training-Groom.

Racehorse at Exercise, Ridden by a Training-Groom.

James Seymour (English, 1697-1752)
One of Four Portraits of Horses, a Chestnut Racehorse with Jockey Up- walking to the left; jockey i…

One of Four Portraits of Horses, a Chestnut Racehorse with Jockey Up- walking to the left; jockey i…

James Seymour (English, 1697-1752)
A Hare Running, with Ears Laid Back

A Hare Running, with Ears Laid Back

James Seymour (English, 1697-1752)
Two Horses Trotting in Harness

Two Horses Trotting in Harness

James Seymour (English, 1697-1752)
Saddled Horse Facing Left

Saddled Horse Facing Left

James Seymour (English, 1697-1752)
A Hound Tethered to a Tree Stump

A Hound Tethered to a Tree Stump

James Seymour (English, 1697-1752)
Lord Portmore’s ‘Snap’, a saddled chestnut hunter held by a groom, with a setter in a landscape

Lord Portmore’s ‘Snap’, a saddled chestnut hunter held by a groom, with a setter in a landscape (1743)

James Seymour (English, 1697-1752)
Coursing – After the Kill

Coursing – After the Kill

James Seymour (English, 1697-1752)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
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