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Edwin Austin Abbey - A figure in classical dress

A figure in classical dress (1984)

Edwin Austin Abbey (American, 1852 - 1911)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1911 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer. It is in the public domain in the United States because it was published or registered with the U.S. Copyright Office before Jan 1, 1926
Edwin Austin Abbey

Edwin Austin Abbey was an American muralist, illustrator, and painter. He flourished at the beginning of what is now referred to as the "golden age" of illustration, and is best known for his drawings and paintings of Shakespearean and Victorian subjects, as well as for his painting of Edward VII's coronation. His most famous set of murals, The Quest and Achievement of the Holy Grail, adorns the Boston Public Library.

Abbey was born in Philadelphia in 1852. He studied art at the Pennsylvania Academy of the Fine Arts under Christian Schuessele. Abbey began as an illustrator, producing numerous illustrations and sketches for such magazines as Harper's Weekly (1871–1874) and Scribner's Magazine. His illustrations began appearing in Harper's Weekly at an early age: before Abbey was twenty years old. He moved to New York City in 1871. His illustrations were strongly influenced by French and German black and white art.

He also illustrated several best-selling books, including Christmas Stories by Charles Dickens (1875), Selections from the Poetry of Robert Herrick (1882), and She Stoops to Conquer by Oliver Goldsmith (1887). Abbey also illustrated a four-volume set of The Comedies of Shakespeare for Harper & Brothers in 1896.

More Artworks by Edwin Austin Abbey (View all 411 Artworks)

Figure study for ‘The Hours’ II

Figure study for ‘The Hours’ II (1985)

Edwin Austin Abbey (American, 1852 - 1911)
Study for Fiametta’s Song (oil painting)

Study for Fiametta’s Song (oil painting)

Edwin Austin Abbey (American, 1852 - 1911)
Merchant of Venice, act II, scene 1

Merchant of Venice, act II, scene 1 (1888)

Edwin Austin Abbey (American, 1852 - 1911)
Study, Woman in yellow dress with brown veil over face

Study, Woman in yellow dress with brown veil over face

Edwin Austin Abbey (American, 1852 - 1911)
Compositional Study, possibly for The Merry Wives of Windsor

Compositional Study, possibly for The Merry Wives of Windsor (ca. 1871–1911)

Edwin Austin Abbey (American, 1852 - 1911)
Study of figure scene in seventeenth century Dutch costume, possibly New Amsterdam

Study of figure scene in seventeenth century Dutch costume, possibly New Amsterdam

Edwin Austin Abbey (American, 1852 - 1911)
Unfinished drawing of two men sailing

Unfinished drawing of two men sailing (1987)

Edwin Austin Abbey (American, 1852 - 1911)
Titania, illustration for Act II, Scene ii, A Midsummer Night’s Dream

Titania, illustration for Act II, Scene ii, A Midsummer Night’s Dream (Let's get it on!)

Edwin Austin Abbey (American, 1852 - 1911)
Caricature of William Black as jack-in-the-box

Caricature of William Black as jack-in-the-box

Edwin Austin Abbey (American, 1852 - 1911)
Landscape

Landscape

Edwin Austin Abbey (American, 1852 - 1911)
Study of an interior

Study of an interior

Edwin Austin Abbey (American, 1852 - 1911)
Man in tophat and shirtsleeves sweeping a walkway

Man in tophat and shirtsleeves sweeping a walkway (1990)

Edwin Austin Abbey (American, 1852 - 1911)
The Vale of Ambleside, Wansfell

The Vale of Ambleside, Wansfell

Edwin Austin Abbey (American, 1852 - 1911)
Woman in a Grecian Gown Playing a Lyre

Woman in a Grecian Gown Playing a Lyre (1890–1911)

Edwin Austin Abbey (American, 1852 - 1911)
‘It is ten o’clock. Thus we may see,’ quoth he, ‘how the world wags’ Act II, scene vii

‘It is ten o’clock. Thus we may see,’ quoth he, ‘how the world wags’ Act II, scene vii (1887)

Edwin Austin Abbey (American, 1852 - 1911)
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