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Giovanni Domenico Tiepolo - A Centaur Abducting a Nymph

A Centaur Abducting a Nymph (1727–1804)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1804 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
Giovanni Domenico Tiepolo

Giovanni Domenico Tiepolo was an Italian painter and printmaker in etching. He was the son of artist Giovanni Battista Tiepolo and elder brother of Lorenzo Baldissera Tiepolo.

Domenico was born in Venice, studied under his father, and by the age of 13 was the chief assistant to him. He was one of the many assistants, including Lorenzo, who transferred the designs of his father (executed in the 'oil sketch' invented by the same).
By the age of 20, he was producing his own work for commissioners. He assisted his father in Würzburg 1751-3, decorating the famous stairwell fresco, in Vicenza at the Villa Valmarana in 1757, and in Madrid at the palace of Charles III from 1762-70.

His painting style developed after the death of his father in 1770, at which time he returned to Venice, and worked there as well as in Genoa and Padua. His painting, though keeping the decorative influence of his father, moved from its spatial fancy and began to take a more realistic depiction. His portraits and scenes of life in Venice are characterised by movement, colour, and deliberate composition.

More Artworks by Giovanni Domenico Tiepolo (View all 221 Artworks)

The Holy Family Preparing to Embark

The Holy Family Preparing to Embark (1750–1753)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
A Saint Preaching, and the Head of an Oriental

A Saint Preaching, and the Head of an Oriental (ca. 1759)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Turkeys in a Venetian Farmyard, the third drawing in Tiepolo’s series of 59 scenes of contemporary life.

Turkeys in a Venetian Farmyard, the third drawing in Tiepolo’s series of 59 scenes of contemporary life. (ca. 1791)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Martyrdom of St. Stephen

Martyrdom of St. Stephen (c. 1750s)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Gathering Wood

Gathering Wood (late 1790s)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
A Centaur Holding A Lyre, Galloping With A Female Faun

A Centaur Holding A Lyre, Galloping With A Female Faun

Giovanni Domenico Tiepolo (Italian, 1727-1804)
The Leopards’ Cage at the Menagerie

The Leopards’ Cage at the Menagerie (mid-18th–early 19th century)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Back View of a Centaur Abducting a Satyress

Back View of a Centaur Abducting a Satyress (1727–1804)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
God the Father and Angels Adoring the Madonna and Child (recto)

God the Father and Angels Adoring the Madonna and Child (recto) (c. 1753)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
The Holy Family Arriving at a City Gate

The Holy Family Arriving at a City Gate (1750–1753)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Sketch for a Ceiling with an Allegory of Fortitude and Wisdom

Sketch for a Ceiling with an Allegory of Fortitude and Wisdom (1780–85)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
An Oriental Horseman

An Oriental Horseman (1727–1804)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Punchinellos Felling (or Planting) a Tree

Punchinellos Felling (or Planting) a Tree (late 18th–early 19th century)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
Arms of Carl Philipp von Greiffenflau, Prince-Bishop of Wurzburg

Arms of Carl Philipp von Greiffenflau, Prince-Bishop of Wurzburg (1750–1753)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
A Bull Lying Down, and Two Donkeys, in a Landscape

A Bull Lying Down, and Two Donkeys, in a Landscape (ca. 1760–61)

Giovanni Domenico Tiepolo (Italian, 1727-1804)
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