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James Ward - A Broad-Wheeled Road Waggon

A Broad-Wheeled Road Waggon

James Ward (English, 1769-1859)
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License: All public domain files can be freely used for personal and commercial projects.
Why is this image in the public domain?
The Artist died in 1859 so this work is in the public domain in its country of origin and other countries where the copyright term is the Artist's life plus 70 years or fewer.
James Ward

James Ward was a British painter, particularly of animals, and an engraver.

Born in London, and younger brother of William Ward the engraver, James Ward was influenced by many people, but his career is conventionally divided into two periods: until 1803, his single greatest influence was his brother in law George Morland; from that time, it was Rubens. From 1810 or so, Ward started to paint horses within landscapes; slightly later, he turned to very large-scale landscapes, of which Gordale Scar (Tate, London), completed in 1814 or 1815 and depicting Gordale Scar (Yorkshire) as an example of the sublime, is considered his masterpiece and a masterpiece of English Romantic painting.

Ward devoted much of the period 1815-21 to the painting of a gigantic work titled Allegory of Waterloo (now lost); this neither was much praised nor brought in the revenue Ward had hoped for. The experience may have embittered him, and the deaths of his first wife and a daughter were among other tragedies. Like many artists of the time, Ward sought commissions from wealthy gentry of their favorite horses, their favorite hunting dogs or their children.

One such family that Ward painted and drew repeatedly, and whom he counted among his friends, were the Levett family of Wynchnor Park, Staffordshire. One of Ward's best-known portraits was his Theophilus Levett hunting at Wychnor, Staffordshire of 1817. Another was Ward's 1811 painting entitled The Reverend Thomas Levett and his favourite dogs, cock-shooting. Ward also painted a group portrait of three Levett children — John, Theophilus and Frances Levett.

More Artworks by James Ward (View all 201 Artworks)

Lions Attacking Two Men and a Horse

Lions Attacking Two Men and a Horse (1801–59)

James Ward (English, 1769-1859)
The Artist’s Son, Henry, Asleep

The Artist’s Son, Henry, Asleep

James Ward (English, 1769-1859)
Dr. Syntax, a Bay Racehorse, Standing in a Coastal Landscape, an Estuary Beyond

Dr. Syntax, a Bay Racehorse, Standing in a Coastal Landscape, an Estuary Beyond (1820)

James Ward (English, 1769-1859)
A Farm Cart

A Farm Cart

James Ward (English, 1769-1859)
Boots, Etc. Cromwell’s Time, Haddon Hall

Boots, Etc. Cromwell’s Time, Haddon Hall (1825)

James Ward (English, 1769-1859)
Landscape with a Farm and Cornstalks

Landscape with a Farm and Cornstalks (ca. 1803)

James Ward (English, 1769-1859)
A Craggy Hillside

A Craggy Hillside

James Ward (English, 1769-1859)
Study of Two Headless Classical Statues

Study of Two Headless Classical Statues

James Ward (English, 1769-1859)
A Rocky Hillside with Trees and Figures

A Rocky Hillside with Trees and Figures

James Ward (English, 1769-1859)
Self-Portrait

Self-Portrait (1830)

James Ward (English, 1769-1859)
Study of a Hill Top and Sky

Study of a Hill Top and Sky

James Ward (English, 1769-1859)
Studies of Dogs lying down

Studies of Dogs lying down

James Ward (English, 1769-1859)
Coastal Village with Fishing Boats

Coastal Village with Fishing Boats

James Ward (English, 1769-1859)
Study of Sculpture; from the Elgin Marbles

Study of Sculpture; from the Elgin Marbles

James Ward (English, 1769-1859)
Delivering a Calf

Delivering a Calf

James Ward (English, 1769-1859)
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View all 201 Artworks

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