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A nun frightened by a ghost playing a guitar

A nun frightened by a ghost playing a guitar (ca. 1812–20)

Francisco de Goya (Spanish, 1746 - 1828)
Saint Philip, Half-Length, Holding A Crucifix

Saint Philip, Half-Length, Holding A Crucifix

Jusepe de Ribera (Spanish, 1591-1652)
Over My Dead Body

Over My Dead Body (1893)

Ramón Casas (Spanish, 1866 – 1932)
The Bath, Jávea

The Bath, Jávea (1905)

Joaquín Sorolla (Spanish, 1863 – 1923)
Al escondite

Al escondite

Vicente Palmaroli y González (Spanish, 1834 – 1896)
Still life of flowers and grapes in an elaborate ceramic vase, with snails along the bottom ledge

Still life of flowers and grapes in an elaborate ceramic vase, with snails along the bottom ledge

Juan de Espinosa (Spanish, active 1628-1659)
A Drunkard at an Inn

A Drunkard at an Inn (1850)

Manuel Cabral Aguado Bejarano (Spanish, 1827–1891)
Sketch from Life

Sketch from Life (1870)

Santiago Rusiñol (Spanish, 1861 – 1931)
Portrait of the Engraver Pasqual Pere Moles, first director of the Escola de Llotja

Portrait of the Engraver Pasqual Pere Moles, first director of the Escola de Llotja (1794)

Vicente López Portaña (Spanish, 1772 – 1850)
The Guitar (Still Life with Guitar)

The Guitar (Still Life with Guitar) (1916)

Juan Gris (Spanish, 1887-1927)
Farolillos En Paris (Lantern Parade In Paris)

Farolillos En Paris (Lantern Parade In Paris)

Arcadi Mas i Fondevila (Spanish, 1852 – 1934)
Scene from the Suppression of the Paris Commune in May, 1871

Scene from the Suppression of the Paris Commune in May, 1871 (c. 1871)

Daniel Urrabieta Vierge (Spanish, 1851-1904)
Portrait of Carlota Quintana Badia

Portrait of Carlota Quintana Badia (1869)

Federico de Madrazo y Kuntz (Spanish, 1815-1894)
‘Generosity versus Greed’, a woman and three men conducting a transaction inside a shop

‘Generosity versus Greed’, a woman and three men conducting a transaction inside a shop (1796–1798)

Francisco de Goya (Spanish, 1746 - 1828)
Abstrait

Abstrait (1941)

Julio González (Spanish, 1876-1942)
Still Life with Figs and Bread

Still Life with Figs and Bread (c. 1770)

Luis Meléndez (Spanish, 1716-1780)
There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados])

There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados]) (ca. 1813-1820)

Francisco de Goya (Spanish, 1746 - 1828)
The Return of the Prodigal Son

The Return of the Prodigal Son (1667-1670)

Bartolomé Estebán Murillo (Spanish, 1617-1682)
Figures waking from sleep

Figures waking from sleep (ca. 1812–20)

Francisco de Goya (Spanish, 1746 - 1828)
The Beginning of Spring

The Beginning of Spring (1877)

Joaquim Vayreda (Spanish, 1843 – 1894)
Flower Seller

Flower Seller

Maximino Peña Muñoz (Spanish, 1863-1940)
Mucho hay que chupar. (There is plenty to suck.)

Mucho hay que chupar. (There is plenty to suck.) (1796-1797)

Francisco de Goya (Spanish, 1746 - 1828)
Alfons XIII

Alfons XIII (1904)

Alexandre de Riquer (Spanish, 1856 - 1920)
Album salón Pl.61

Album salón Pl.61 (1903)

Miguel Seguí (Publisher) (Spanish, 19th Century)
The Annunciation

The Annunciation

Jerónimo Ezquerra (Spanish, 1660-1733)
Jeune femme écrivant sur un arbre

Jeune femme écrivant sur un arbre (ca 1867)

Martin Rico y Ortega (Spanish, 1833-1908)
Venice

Venice

Antonio María de Reyna Manescau (Spanish, 1859-1937)
Los Trabajadores (The Wine Loaders)

Los Trabajadores (The Wine Loaders) (circa 1930)

José Gutiérrez Solana (Spanish, 1886-1945)
The Downpour. Santoña Bay

The Downpour. Santoña Bay (1900)

Darío de Regoyos (Spanish, 1857-1913)
View of El Arenal in Bilbao

View of El Arenal in Bilbao (1783-1784)

Luis Paret y Alcázar (Spanish, 1746-1799)